|
distribution lines
Avalon
Design
Phoenix
Audio
CharterOak
Pigtronix
Buzz
Audio
DW
Fearn
Korby
Stedman
Crowther
ToadWorks
Speck
Electronics
T-Rex
Guitar
& Live
Distribution
Home
Distribution
News
around asap
ASAP
Main Home
ASAP
Retail "Red" Site
Letters & Forum
About
ASAP Enquiries & More
Links
|
The
classic no-compromise vacuum tube product range, hand crafted in Pennsylvania.
 |
FEARN
VT-2 TUBE PRE-AMP
The VT2 is a dual channel vacuum tube microphone pre-amp which has
gained a superb reputation for warmth and clarity. The philosophy
behind the product is that a good recording means getting your vocal
or instrument to tape or hard-disc in the most straight-forward
and shortest signal path possible.
|
|
 |
VT-1
Vacuum Tube Microphone Preamplifier
The VT-series microphone preamplifiers will change the way you
think of audio quality. The transparency is astounding. Vocals sound
smoother, warmer, more intimate, with a compelling presence. Any
microphone and any sound will benefit from the improved clarity,
definition, and lack of solid-state artifacts. The VT-1 recreates
the sound of classic tube preamps of the 1960s. Modern components
and computer-optimized circuitry, unavailable during the vacuum
tube era, elevate this design to a new level of performance.
|
|
 |
VT-3
Dual Channel Vacuum Tube DI
The VT3 is a dual-channel, all-triode vacuum tube DI (“direct
box”) for recording electric or electronic instruments. The inputs
are designed to provide the proper load impedance for all instruments
that have a 1/4-inch phone jack output. Tube circuitry provides
the very high impedance necessary to capture all the details of
these instruments. The outputs of the VT-3 are mic level (150 ohm
source impedance at a nominal -30dBV). The VT-3 is designed to operate
into a high-quality microphone preamplifier like our VT-1 and VT-2
Vacuum Tube Microphone Preamplifiers. Operation is very simple:
plug the instrument into the 1/4” front panel jack and take the
output either from the front panel XLR connector, or a parallel
XLR connector on the back panel. A second 1/4” jack provides an
output to feed a guitar amplifier when necessary. A ground-lift
switch helps eliminate ground loop buzz, and a switchable high-pass
filter gently rolls off frequencies below 100Hz when required. The
two channels are entirely independent and can be used with two different
instruments at the same time.
|
|
 |
DW Fearn VT -
4 Vacuum Tube LC Equaliser
This single channel equalizer uses passive LC circuitry with
class-A triode vacuum tube stages for the input and output. The
tube circuitry is largely derived from the VT2 mic preamp design,
so the equalizer has much the same sonic character as the preamps.The
LC -style passive equalization circuitry is based on the the classic
designs that are still the best-sounding way to achieve high-quality
tonal control. The input line-level, transformer balanced-bridging.
An active vacuum tube input section has adjustable gain to accomodate
input signals as low as -10dBm. The input transformer is made
by Jensen. The output stage utilizes the same custom Jensen transformer
used on the VT1/VT2 mic preamps. All controls are stepped for
precise repeatability and uniform matching between units. High
quality rotary switches are used with1% metal-film resistors.
All audio capacitors are polystyrene or polypropylene. The inductors
are custom made by Jensen Transformeres Inc. Like the VT1/VT2
preamps, the Equalizer has been designed to provide an exceptional
tool for audio professionals. The design frequencies and curves
were determined by ear after extensive listening to a variety
of program material, both individual tracks and mixes. The result
is a highly-musical equalizer with plenty of range for enhancing
any track or mix.
Design Features....
Low Cut 30,40,100, or 400 Hz, 0 to -18dB shelving
in 2dB steps Low Boost 20,40,80, or 140 Hz, 0 to 12 dB shelving
in 2dB steps
Mid Cut 200,300,400,500,600, or 700 Hz, 0 to -30dB in 3db steps
High Boost 2,3,4,5,8,10,12, or 16kHz, 0 to 12dB shelving in 2dB
steps
High Bandwidth Q of 0.6,0.8,1.0,1.4, or 1.7
High Frequency Cut at 1.5,3.5,8, or 20kHz, 0 to -14dB, shelving
in 2dB steps
Gain adjustable from -9 to +9dB, referenced to +4dBm, in 3dB steps
Frequency Response: +/- 0.2dB 20Hz to 20kHz
Eq Out THD : less than 0.20% Noise: less than -90dBm
|
|
 |
DW Fearn VT -
7 Dual Channel Vacuum Tube Compressor
The VT-7 has an all Class-A vacuum tube audio path, like all
our products. The gain reduction elements utilize circuitry that
duplicates the sound and characteristics of the finest classic
vacuum tube compressors, without depending on tubes that are no
longer manufactured. The control circuitry is modern solid-state
analog. The two channels may be used independently or linked together
for stereo. Controls: Threshold, Gain, Attack, Release, Curve,
and Link. The VU meters can be switched between output level and
gain reduction. This compressor has a unique sound. It is highly
transparent, adding only loudness to the audio without introducing
obvious artifacts. The compression curves can be adjusted from
very gentle to moderately hard. Like all our products, the VT-7
Compressor is designed to process high-quality audio and make
it sound great. This compressor is not intended to be used as
an obvious effect. It is more like having an engineer with infinitely
quick hands on the faders. Availability:
|
|
 |
DW Fearn VT -
15 Vacuum Tube recording Channel
The VT- The VT-15 Vacuum Tube Recording Channel combines the
mic preamp from the D.W. Fearn VT-2, and the DI input functionality
of the new VT-3, plus the acclaimed dynamics control of the VT-7
Compressor, and the most-often used features of the VT-4 Equalizer.
Mic Preamp The mic preamp section has all the features of the
VT-1 (the single-channel version of the VT-2), plus a built in
Line Pad (the same as our LP-1), and a front-panel 1/4” jack for
an instrument input from an electric or electronic guitar or keyboard.
Compressor The compression section is identical to a single channel
of the VT-7 Stereo Compressor. Equalizer The equalization section
is a scaled-down version of the versatile VT-4 LC Equalizer. It
has a single frequency for each of the LF Boost, LF Cut, HF Boost,
and HF Cut. These frequencies were determined by analyzing which
were the most often used settings on the VT-4. The controls are
continuously variable, from -12dB of cut to +12dB of boost. The
HF Q is also continuously variable. Which comes first, compression
or equalization? Sometimes you need the compression before the
eq, and sometimes the eq should come first. The VT-15 does not
lock you into only one configuration; a front panel switch allows
you to instantly switch from Comp/Eq to Eq/Comp. A full-size true
VU meter monitors either gain reduction or output level. The mic/line
input connector is a XLR female, and the output is a XLR male,
both on the back panel. The VT-15 is in a standard rack-mount
package, 5.25” high (3RU). A rear panel switch allows the VT-15
to instantly be converted from 120 to 240VAC operation, 50/60Hz.
|
|
 |
DW
Fearn Passive Direct Box DI
Does exactly what it says on the box!
|
List:
£195
ex
VAT
|
 |
LP
- 1 Dual Channel Line Pad
|
|
Call now on: +44 (0)207 231 9661
0r Email: sales@asapeurope.com

D.
W. Fearn Dealers
|