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All ToadWorks pedals offer unique heavy duty build quality and exceptional
attention to detail in the development of tone and flexibility of use.
The New JR range, like all other Toadworks pedals, are made in the USA.
The JR series provide an intuitive live performance layout.
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BARRACUDA
.................. COMING SOON
In the Spring of 1977, millions of music fans rushed home to throw
the new Heart album "Little Queen" on their record players. What
they heard was one of the most explosive and powerful guitar riffs
in the history of Rock & Roll. The men playing that riff were
Howard Leese & Roger Fisher, and the magic behind that sound was
a custom-made analog flanger unit. Working closely with Howard
Leese, ToadWorks has created an authentic, accurate reproduction
of the original custom-made flanger used on the 1977 smash-hit
"Barracuda". ToadWorks USA is proud to announce the release of
the Howard Leese Signature Model analog flanger, Barracuda ®
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TEXAS FLOOD
.................. NEW - IN STOCK FEBRUARY 2008
Texas Flood is a a classic overdrive modeled on the legendary
TS-808 circuit. It's not a clone - we don't make clones, and there
was certainly room for improvement on this classic circuit. Texas
Flood has undergone extensive testing by professional guitarists
in both live and studio settings, and the verdict is in - we blew
the competition out of the water. ToadWorks Texas Flood is simply
the best 808-style overdrive available. Pick one up and see for
yourself.
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MAD DOG
ToadWorks Mad Dog is THE fuzz box of the new millennium - with
it's snarling mids, hairy highs and low growl, Mad Dog rips the
competition to shreds. Priced to fit any budget, Mad Dog offers
unparalleled tone and uncompromising quality, making Mad Dog the
choice of professionals and amateurs alike. All fuzzes are not
created equally, and someone has to be the winner. Once you hear
Mad Dog's bark, you'll beg for it's bite.
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MEAT JR
ToadWorks MEAT Jr is a compact fat boost, designed for maximum
versatility at the lowest cost. Like it's big brother MEAT, MEAT
Jr has been tested with a wide range of guitars and amplifiers;
low output or high, solid state or tube, MEAT Jr provides all
the beefy goodness your rig needs. The fat is phat, and the clean
is pristine. In Clean mode, MEAT Jr is the perfect linear boost,
putting out exactly what was put in, without the slightest change
to your tone. ToadWorks MEAT Jr is a quick and easy approach to
fat and clean tones. With MEAT Jr, you get all the Fat, with none
of the weight.
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LEO JR
ToadWorks Leo Jr is an overdrive effect pedal that emulates the
classic American overdrive that made Rock & Roll what it is today.
A scaled down version of our Li'l Leo pedal, Leo Jr delivers all
the tone with a minimum of tweakage. Priced to fit any budget,
Leo Jr easily re-creates the classic tube overdrive of vintage
American amplifiers. Leo would be proud, and so will you.
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JOHN BULL
JR
ToadWorks John Bull Jr is an overdrive effect pedal that emulates
the classic overdrive that put Great Britain on the rock & roll
map. From the 60's to the 00's, England has produced some of the
finest amplifiers on the planet. John Bull Jr brings that sound
home at a price you can afford. Just like it's big brother, John
Bull Jr is on it's way to becoming a modern classic. If British
overdrive is your cup of tea, John Bull Jr's gonna squeeze your
lemon so hard it will hurt.
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LOOPER
- TRUE BYPASS
ToadWorks Looper is a compact single-loop true-bypass box, designed
for maximum versatility at the lowest cost. Like it's big brother
Roundabout, the ToadWorks True-Bypass works both as a true-bypass
box, as well as a guitar and/or amplifier switcher. ToadWorks
True-Bypass is the simplest solution for dealing with FET-switched
effects. Don't let your tone get trashed - use the ToadWorks True-Bypass.
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Mr SQUISHY
Mr. Squishy provides plenty of squish where you want it, and none
where you don't. The Gain, Squish & Level controls allow you to
compensate for all manner of differences between guitars, pickup
types, etc. Mr. Squishy has a nice, tight attack, and a long,
slow release, giving you the best of both worlds. Mr. Squishy
won't distort unless you want it to; there is no buffer, the Op-Amp
can be overdriven, but that's what the Gain control is for. And
when you listen to the sound clips, notice that the Level is always
around six... want to guess what happens if you turn off the Squish,
crank the Gain, and set the Level at 10? A very serious clean
boost that will overdrive your amp's input. Yes, that's right
- Mr. Squishy can double as perfect clean boost, with power to
spare.
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DEATH
Switch between Tweed and Plexi and use a powerful clean Boost
either with or without the overdriven effects. Both Tweed and
Plexi functions come equipped with Tone, Gain and Level pots offering
an exceptional level of tonal and dynamic control.
Built like a tank, DR3 offers a more logical and powerful layout
than it's predecessor. A symetrical layout clearly denotes the
Tweed, Plexi and Boost stages, talking of which Toadworks have
added a "Pre" and "Post" stage to the Boost
function (adding extra flavour to Pre or Post Overdrive).
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PHANTASM
ToadWorks Phantasm is the world's first 9V battery operated,
analogue, vactrol-based, dynamic phaser with a Center-Axis control
pedal (whew!). With three basic modes of operation, stunning clarity
and an uparalleled feature set, ToadWorks Phantasm is truly in
a class of it's own. The end product of three years of development,
Phantasm offers studio-quality phasing at a fraction of the cost.
In fact, no other battery-powered phaser comes close to the range
of features available on the Phantasm. Simple to use, ToadWorks
Phantasm is a sophisticated phase shift effect, with a smooth
operation and low noise floor that will amaze the most die-hard
digital fans. Every combination of guitar and effect will have
a slightly different response, and the sensitivity and operation
will always vary to some degree, so expect the unexpected. Trust
us - this phaser's set to stun.
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MEAT
It's a little large for a boost, but it has to be! Chock full
of big ol' mylar caps, switched pots and op-amps, MEAT is everywhere
you want to be. This is no ordinary boost pedal. MEAT delivers
a big, fat boost with dipped highs - OR it can be used as crisp,
clean boost - OR it can be used as a combination of the two! That's
right - you get to mix and match the amount of Fat versus Clean
signal. And if you find the perfect mix, but it's not loud enough?
Never fear, MEAT is here! Simply use the Level control to increase
the overall boost level without disrupting your perfect Fat/Clean
mix. MEAT doesn't just boost - it makes your guitar sound BETTER.
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Mr ED
ToadWorks Mr. Ed is a new guitar effect pedal that emulates the
elusive “Brown” sound by providing a clear, transparent overdrive
that is both dynamic and responsive. Mr. Ed has been tested and
used with a wide range of amplifiers, including both tube, solid
state and hybrid, and it delivers the goods every time. Every
combination of guitar and amp will have a slightly different eq,
output, etc., and the sound will always vary to some degree, so
expect the unexpected. This pedal provides an effective duplication
of the crunchy, edgy overdrive that defined the Brown Sound, yet
remains transparent enough that your guitar sound shines through.
For years, guitarists have sought after that elusive sound, eventually
coming to realize that it simply cannot be achieved without spending
large sums on vintage gear. Now, the revolution is at hand - witness
Mr. Ed!!! SEE DEALERS LIST BELOW
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JOHN BULL
emulates the classic overdrive that put Great Britain on the rock
& roll map. If classic British overdrive is your cup of tea, John
Bull's gonna squeeze your lemon so hard it will hurt…..It Reigns
Whatever your preferred flavour of the British amp, John Bull
will get you within shouting distance. Low gain, high gain, fat
mids or scooped, John Bull does it all and then some… It Rules
John Bull bites like a bulldog on the old John Thomas. All the
sounds in the empire are at your command - just plug it in and
crank it up…. Design ToadWorks John Bull is an op-amp based overdrive
effect, featuring a unique combination of symetric and asymetric
gain circuits. Increasing the Gain control actually changes the
character of the overdrive, not just the amount of it. The Mids
control spans the rock and roll decades with one smooth sweep
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LI'L LEO
ToadWorks Li'l Leo is a new guitar effect pedal that emulates
the crisp, clear overdrive of yesteryear. Our goal was to find
that delicate line between smooth distortion and crunchy noise
that you get from a black face "Super Reverb" on 11 - loud & proud,
perfectly smooth break up with just the right amount of power
and punch. If you want the classic sounds of American rock & roll
without the potential for injury to your wallet or back that a
large tube amp presents, then Li'l Leo is the ticket
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REDUX
Takes
the concept of a guitar delay pedal in a whole new direction -
two directions, actually! Redux provides a combination of single,
phased and multi-tap delays all in one very small package. If
regular old delay is leaving your tone flat, Redux will make it
fly…..Redux is a single stream digital delay effect. Delay time,
Decay, and Effect Level are adjustable via the big shiny knobs.
We've designed Redux for a fixed rate of signal degradation, to
better emulate an analogue delay, but unlike analogue delays,
Redux offers more than 500 ms of delay, and near infinite repeats……More
Features. Along side the primary delay path is a second, parallel
delay path. Identical in every way, this second delay path can
be switched on and off. This secondary delay signal can be time-offset
either forward or backward, up to 100 ms! Go from slight phase
shift to ping-pong delay effect with one quick turn of a knob.
It's uniqueness comes from an asynchronous second delay signal
merged with the original delay. This pairing creates a slightly
time-shifted signal, producing a subtle phase shift effect on
the delayed signal only - the original signal is unaffected.
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ENVELOOPE
Is a dynamic
looper. Adding extraordinary creative “oomph” to any other effect.
The input is split into three signals. Signal 1 is sent to an
Envelope Follower. Signal 2 is sent to the output (almost) unaffected,
but the level is controlled by the Envelope Follower, the harder
you play, the softer the unaffected signal becomes. Signal 3 is
sent to the FX loop, and the loop returned level is also controlled
by the Envelope Follower, this time the harder you play, the LOUDER
the loop signal becomes. Also ..if you crank the Sensitivity all
the way up, and turn the Release all the way down, it becomes
a very effective noise gate. Another cool feature – switch out
the SEND and play pre-recorded material through the RETURN then
use a guitar as a trigger to control the amount of RETURN signal
in the output……a Toadworks creative 123!!!
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Call now on: +44 (0)207 231 9661
0r Email: sales@asapeurope.com

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