|
Model
|
Condition
New/Used/Ex Demo |
|
|
Model
|
Condition
New/Used/Ex Demo |
|
API
|
3124
+
4 channel
transformer isolated mic pre-amplifier with alternate hi z DI input.
Input gain. 20dB pad
|
New |
£1575
|
API
|
3124
MB
WITH STEREO MIXER
4 x
API 312 mix pre & mix buss: in a 1U rack, with the addition of a
stereo mix bus with output level control, balanced L/R outputs on
stereo jacks, and a stereo aux return with level control (this input
can also be used to cascade another 3124+MB for 8 channels of API
mic pre). Each channel has phase, 48V, pad, DI (470 Kohm), input
gain, output level, pan, an aux send, an unbalanced insert (tip
send ring return) and a balanced direct out on XLR. 19". 1U.
|
New |
£2075
|
API
|
A2D
A pair
of signature 312 mic preamps API 2520 op amps 20 Segment LED metering
on both Analogue and Digital sections Mic and Line inputs Polarity,
Phantom power, Input pad, 2:1, and Mic/Line switches 6 sample rate
choices External Super Clock Input Multiple A2D units can be slaved
together Insert point provided between Analogue and Digital sections
|
New |
£1145
|
API
|
500-6B
Holds
6 API standard modules 48 Volt internal phantom power supply Self-Powered,
100 to 250 Volts, 47 to 63 Hz, Switchable Rubber feet & carrying
handle for portability Rugged steel chassis Perfect for remote recording
of Vocalist and Instruments The API Model 500-6B Lunchbox is a six
position rack designed to accept all API standard 5.25" X 1.5" modules.
This allows an engineer the flexibility to bring along specialized
EQ effects to any situation: 550A, 550B or 560. The Lunchbox is
self-powered, with a rear panel selected AC voltage switch, and
a removable power cord. The input/output jacks are XLR. The Lunchbox
comes standard with a +48 volt internal phantom power supply, bussed
to pin 15 for interface with the API 512C.
|
New |
£550
|
API
|
512c
DISCRETE MIC PREAMP
Mic Preamp with 65 dB of gain Front and Back Panel Mic Input Access
Line/Instrument Preamp with 50 dB of gain Front and Back Panel Line/Instrument
Input LED VU meter for monitoring output level 20 dB pad switch,
applies to mic/line/instrument 48v Phantom switchable power Traditional
API fully discrete circuit design Uses the famous API 2520 Op-Amp
|
New |
£465
|
API
|
525
DISCRETE COMPRESSOR LIMITER
Reissue
of API's original 525 from the early 70's Peak detecting "feedback"
compressor/limiter Variable Threshold and Output levels Unique "Ceiling"
control combines key functions VU meter for monitoring gain reduction
4 Switchable release modes De-Ess function Traditional API fully
discrete circuit design Hardwire bypass |
New |
£675
|
API
|
550A
3 BAND DISCRETE EQ
Re-issue
of the fully discreet 3-band 550A. Complete with switchable 12dB
per octave 50Hz to 15KHz band pass filter and 2 x 2520 op amps on
the output +4 balanced XLR I/O.
|
New |
£1050
|
API
|
550B
4 BAND DISCRETE EQ
4 bands
of our famous sounding equalization Each band offers 7 API selected
frequency centers Reciprocal and repeatable filtering 12 dB of boost/cut
per band EQ Band 1 and 4 offer shelf/peak switching "Proportional
Q" narrows filter Q at extremes Traditional API fully discrete circuit
design High headroom +30 dB clip level Re-issue of 1967 API 550
EQ with an extra band
|
New |
£675
|
API
|
560B
10 bands
of API proprietary equalization Familiar graphics operation on one
octave centers 12 dB of boost/cut per band "Proportional Q" narrows
filter Q at extremes Additional resolution within the ±4 region
Center detent for reliable reset Traditional API fully discrete
circuit design Silent bypass button Re-issue of the 1969 API 560
EQ |
New |
£460
|
API
|
L200R
Holds
12 API Legacy L200 series modules XLR Jacks for Inputs and Outputs,
Pin 2 Hot TT Jacks for side chain / Aux Out / Mic In, etc. Powered
by API external L200PS Tri-Polar, 48v 100 to 250 volts 50/60 Hz
AC, front panel LED 19" rack mount, 2U tall Sturdy, vented steel
chassis
|
New |
£450
|
API
|
200PS
PSU
for L200R/500V. Includes 48v phantom
|
New |
£350
|
API
|
200H
4 SLOT HORIZONTAL
RACK
Holds
up to four 200L series modules Self powered, 100-250 VAC 50/60 Hz
Linking switch for Channels 1/2 and 3/4 Front panel power switches
for DC and phantom power XLR In/Out with PIN 2 HOT, 1/4" side chain
input Takes up only 1 unit of rack space The 200H offers the same
characteristics as the L200 except it holds 4 modules
|
New |
£475
|
API
|
205L
DISCRETE INPUT MODULE
Wide
range GAIN control Hi-Z input, like a Tube Amp Thin < > Fat TONE
Control reduces low end mud BRIGHT Switch boosts the presence 20
dB PAD lowers the input level 100 K LOAD switch changes the tone
of instruments 5 Segment LED Meter shows Output Level Transformer
Coupled Output to +28 dBm All Discrete Design
|
New |
£375
|
API
|
212L
DISCRETE
MIC -PRE
Wide
range GAIN control 20 dB Pad 48v Phantom Power Switch RE 115 K Mic
input Transformer LED VU Meter Uses API 2520 Op-Amp All Discrete
Circuit Transformer Coupled Inputs & Outputs to +28 dBu
|
New |
£429
|
API
|
215L
SWEEP FILTER
Wide
range 6 dB per octave LOPASS control Wide range 12 dB per octave
HIPASS control Balanced input stage Passive filter design for smooth
tone Unity gain throughout Hard Wire BYPASS switch Transformer Coupled
Output to +28 dBu All Discrete Design
|
New |
£429
|
|
API 
|
225L
COMPRESSOR
Threshold
control from -20 to +10 dBu Variable compression ratio from 0 to
infinity Adjustable release time from 50m/sec to 3 sec "Old" or
"New" sound HARD or SOFT compression knee Always at unity gain,
regardless of settings LED Gain Reduction meter API 2510 and API
2520 op-amps Transformer output to +28 dBu
|
New |
£429
|
API
|
235L
NOISE GATE EXPANDER
Threshold
control from -45 to +25 dBu Variable Fine Adjustable Depth to -80
dB Adjustable Release/Hold Time, 50m/sec to 3 sec 2:1 Expander or
Noise Gate Selection Release or Hold Switch for Release control
knob Always at Unity Gain, Regardless of settings LED Gain Reduction
Meter Uses the API 2510 and API 2520 Op-Amps Transformer Output,
to +28 dBu
|
New |
£429
|
API
|
2500
STEREO BUSS COMPRESSOR
API
2520 op-amp Variable threshold between -20 and +10 Selectable Ratio,
Attack and Release times Patented "Thrust" high-pass filter before
RMS detector Variable link between left and right channels Old "feed
back" or new "feed forward" compression Soft, Medium or Hard Knee
for easy to sharp compression Auto or manual gain make up 1/4" balanced
side chain inputs Output clips at +30 dBm
|
New |
£1695
|
API
|
5500
STEREO EQUALISER
Designed
for recording, mixing and mastering applications, the single rack
space API 5500 is a two-channel EQ package with an all-discrete
signal path that combines the classic features of the API 550B four-band
EQ module with the boost and cut precision of the 550D and the 550M
mastering equalizer. Each channel of the API 5500 features four
independent bands of equalization - Lo, Lo-mid, Hi-mid and Hi -
covering a frequency range from 30Hz to 20kHz. The four EQ bands
on each channel operate in conjunction with a range control that
offers three choices of boost and cut: the standard API +/-2dB,
+/-1dB, and a .+/-0.5dB setting. The self-powered unit is built
to API's exacting quality standards and includes the usual five-year
warranty.
|
New |
£1695
|
API
|
7600
RECORDING STRIP
Complete
API input strip with bussing API 2520 Op-Amp API 212L Mic Preamp,
225L Compressor Re-issue of the famed 550A EQ Four Aux sends, Pre
or Post fader assignable Four busses Stereo bus with internal rotary
fader Solo, SIP, Mute, Insert, Polarity, and Compressor Link Complete
patching facilities on rear panel External fader jack Three 7 segment
LED VU displays Output clips at +30 dBm
|
New |
£1675
|
API
|
8200
DISCRETE 8 CHANNEL SUMMING MIXER
Complete
API input strip with bussing API 2520 Op-Amp API 212L Mic Preamp,
225L Compressor Re-issue of the famed 550A EQ Four Aux sends, Pre
or Post fader assignable Four busses Stereo bus with internal rotary
fader Solo, SIP, Mute, Insert, Polarity, and Compressor Link Complete
patching facilities on rear panel External fader jack Three 7 segment
LED VU displays Output clips at +30 dBm
|
New |
£1195
|
|
Model |
Condition
New/Used/Ex Demo |
|
Avalon
|
VT737SP
- Mono
Direct Channel
incorporating tube pre-amplifier, opto-compressor and discrete Class
A four-band equaliser. Unlimited rich sound loaded with sonic character,
ideal for direct to tape, DAW and digital recording. The direct
channel which defined the standard in the professional environment. |
New |
£1375
see dealer
list |
Avalon
|
VT747SP
- Stereo Tube Opto-compressor
with LF and HF spectral side-chain control, six band program
equaliser and tube bypass. Excellent for stereo buss compression,
audio sweetening, and mastering. |
New |
£1495
see dealer
list |
Avalon
|
AD2022
- Dual Mono Microphone Pre-Amplifier
Includes all the sonic quality of the original M2, M22 and M5 pre-amplifiers.
Features include selectable microphone source loading for optimised
cable/mic matching, variable-passive high pass filter and twin High-Z
instrument inputs conveniently located on the front panel. A deep
and powerful sound. |
New |
£1850
see
dealer list
|
Avalon
|
AD2044
- Dual Mono Opto-Compressor
features state of the art balanced 100% discrete Pure Class A signal
amplifiers and computer matched, high speed linear opto elements
provide the passive attenuator system for gain reduction. The AD2044
incorporates a unique external control loop and current monitored
optical driver for smooth control. plus all the benefits of traditional
vintage LDR compression. Used in many top studios worldwide. |
New |
£1850
see
dealer list |
Avalon
|
AD2055
- Pure Class A Dual Mono Equaliser
features excellent passive and active filter designs for powerful
and accurate control. The passive high and low bands offer alternate
musical tone range to the full function active parametric mid bands.
A very popular precision built equaliser which exudes sweet clear
sonic characteristics. |
New |
£2495
see
dealer list
|
Avalon
|
AD2077
Mastering Equaliser
embraces all the ultra-high resolution and sonic quality of the
AD2055. The AD2077 also features the unique combination of active
and passive filter designs. The musical combination of tone selections
enables the discrimination engineer unlimited choices within the
vast overlapping frequency ranges. Large headroom, extended bandwidth
and low noise are fundamental standards within the AD2077 design.
Pure Class A signal amplifiers gives the serious mastering engineer
ultimate sonic character and a natural harmonic detail that enhances
the program material and becomes one with music itself. Probably
the best mastering eq in the world. |
New |
£7295
see
dealer list
|
Avalon
|
U5
- Direct Instrument Pre-amplifier
ideal for bass guitar and acoustic instruments, electric guitars,
keyboards, synthesisers and low output pickups. The U5 accepts a
wide variety of signal levels and instruments giving your music
a vibrant and powerful sound. Rugged hardware design - perfect for
road use. Six passive tone Eq curves. A high cut switch eliminates
unwanted acoustic pickup and high frequency noise, while a headphone
monitor amp has been included for personal listening. Twin coupled
Class A output amplifiers drive both low level microphone preamp
inputs and high level +4bD inputs for direct to tape recording and
processing. |
New |
£365
see
dealer list |
Avalon
|
M5
- Mono Microphone Preamplifier
combines an advanced transformer input stage with twin high performance
Class A cascode FET and bi-polar discrete amplifiers for sonic excellence
unequalled by lesser designs.The M5 is the first choice when looking
to capture a full-bodied, dynamic musical performance from the intimate
depths within the artist. |
New |
£995
see
dealer list
|
|
|
|
|
Buzz
Audio
|
Model |
Condition
New/Used/Ex Demo |
|
 was
formed in 1985 by Tim Farrant, the company was initially set up
to provide technical services to New Zealand audio professionals
and continues to do so. Tim's background in electronics, live sound
engineering and later studio engineering led to the development
of the companys first product, the True Class A MA-2 microphone
preamplifier (now MA-2.2). The MA2 was well received by a handful
of well known US engineers back in 1993 and this prompted Tim to
continue to develop new products with an emphasis on innovative
electronic design. Today the company continues to grow and aims
to become a household name within the international recording industry.
|
|
|
|
Buzz
Audio
 |
MA
2.2 Mic-Pre |
New
|
£1295
see dealer list |
Buzz
Audio
 |
SOC
1.1 dual compressor |
New
|
£1295
see dealer list |
Buzz
Audio
|
ELIXIR
mono Mic-Pre - 500 series |
New
|
£485
see dealer list |
Buzz
Audio
|
ESSENCE
compressor
- 500 series
The essence is a True Class
A Optical Compressor designed to fit the API* 500 VPR Series rack
frames offering a great feature set in a compact package. The essence
will find application with those seeking a musically transperant
compressor for all tracking and mixing tasks, and it sounds particulary
outstanding when processing voice and bass tracks. The essence -
the Heart 'n' Soul of your next recording!
|
New
|
£650
see dealer list |
Buzz
Audio
|
POTION
compressor
- 500 series
The potion is a True Class
A FET based Compressor designed to fit the API* 500 VPR Series rack
frames. The potion will suit those looking for a audio compressor
with "attitude" and is particularly useful in rock, hip hop and
modern music styles where a somewhat aggressive character adds to
the energy of the track. Drums, electric guitars, vocals and the
mix bus will all benefit from the potion's rich harmonic sound -
potion - the harmonic energizer! |
New
|
£650
see dealer list |
Buzz
Audio
|
TONIC
3 Band Eq
- 500 series
The tonic offers 3 bands of equalisation with a versatile
sweep midrange section and fixed two frequency high and low bands.
The tonic also has a high pass filter utilizing another real choke.
The signal path of the tonic is all True Class A discrete transistor
with the output balanced via a Lundahl* LL1517 high spec transformer.
The tonic is designed to fit into the popular API* 500 Series modular
racks and requires a rack to function. |
New
|
£540
see dealer list |
Buzz
Audio
|
BUZZ
Audio A Rack 8+1
A-RACK 8+1 shown fitted
8 MA1.5 modules (priced separately - see next section). The
standard rack bin is 3 units high and includes the power supply
regulator and monitor module on the right. Due to the high amounts
of heat generated by the True Class A circuitry utilized in this
design, adequate ventilation should be provided and it is suggested
that 1/2U rack space is provided above and below the A-RACK if the
unit will be covered with other equipment. Alternatively, the system
can be supplied in a 4 unit high frame with built in 1/2 unit ventilation
areas front and rear. In addition to the rack mount chassis, the
A-RACK can also be supplied in an attractive 4U ventilated desk
top enclosure. |
New
|
£1295
see dealer list |
Buzz
Audio
|
BUZZ
Audio MA1.5 Module (For
A Rack 8+1) The first module available for the A-RACK 8+1 is the
MA-1.5 True Class A Microphone Amplifier. All circuitry is real
Class A discrete transistor using the Buzz Audio BE40 module. There
are no transformers in the signal path, high quality film coupling
capacitors are used for DC isolation. The circuitry is very similar
to the MA-2.2 with the addition of the Solo feature and a Direct
Drive Balanced Output circuit (the DDBO). There are two main advantages
to the DDBO over conventional "transformer acting" electronic balanced
outputs. The first is near perfect common mode performance on balanced
lines ensuring accurate audio signal transmission over long cables
as may be found in remote live recording situations. The second
advantage is an increase of output headroom by 6dB allowing the
MA-1.5 to deliver a staggering +32dBu before the onset of clipping.
|
New
|
£695
see dealer list |
Buzz
Audio
|
BUZZ
Audio ARC1.1 Analogue Recording Channel The ARC1.1 is a outboard
channel strip combining a mic/line preamp, equaliser, compressor
and limiter in one box. It has primarily been designed for recording
and processing the human voice and sports a host of features that
have been inspired by suggestions from audio professionals from
around the globe. The ARC includes tried and trusted elements from
other Buzz Audio products plus some new innovations specifically
developed for this unit. Whilst aimed at vocal recording and processing,
the ARC is a useful tool for all sorts of recording and mixing applications.
With all the connection and routing options available, the ARC may
be used as a seperate Mic Preamp, DI Box, Equaliser and Compressor/Limiter
(optionally with sidechain EQ), all at the same time. |
New
|
£1595
see dealer list |
Buzz
Audio  |
BUZZ
Audio SSA 1.1 Stereo Source
Amplifier The SSA 1.1 Stereo Source Amplifier includes 2 instrument
inputs on the front panel in addition to to the 2 microphone inputs
on the rear. There are independant detented gain controls for each
input, with up to +65dB gain on mic inputs and +40dB gain instrument
inputs, The mic inputs are equipped with a +15dB gain switch, as
opposed to a -15dB pad and each channel is individually power regulated.
There are balanced XLR outputs and unbalanced direct outs, bypassing
the balanced output stage. Also included : 50Hz high-pass filter,
phantom power, phase reverse and output mute switch. Same Class
A front end design as the big brother MA 2.2. |
New
|
£895
see dealer list |
Buzz
Audio  |
MIA
1.0 Instrument Input DI |
New
|
£235
see dealer list |
|
|
|
|
 |
Model |
Condition
New/Used/Ex Demo |
|
|
Chandler
Ltd
|
1073 Ltd-1 Neve Inspired
Eq & Pre-Amp
- inc PSU
|
New |
£1595
order
now
|
Chandler
Ltd
 |
2254
Ltd-2 Neve Inspired 2254 & Compressor - inc PSU |
New |
£1120
order now
|
Chandler
Ltd
 |
TG1
Classic 60's Compression - inc PSU |
New |
£2495
order now
|
Chandler
Ltd
|
TG1
Classic 60's Mastering Compression - inc PSU |
New |
£2775
order now
|
Chandler
Ltd
|
TG
Channel Mk2 - inc PSU |
New |
£1375
order now
|
Chandler
Ltd
|
Germanium
-
Single Channel Mic Pre - inc PSU |
New |
£795
order now
|
Chandler
Ltd
|
Germanium
-
Mono Tone Control - inc PSU |
New |
£1165
order now
|
Chandler
Ltd
|
TG2
Stereo Mic Pre-amp - inc PSU |
New |
£1345
order now
|
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
Cranesong
|
Flamingo
- Mic-Pre |
New |
£1780
order now
|
Cranesong
|
IBIS
- EQ |
New |
£2570
order now
|
Cranesong
|
IBIS
- Mastering EQ |
New |
£4570
order now
|
Cranesong
|
SPIDER
- 8 Way Mic-Pre |
New |
£4550
order now
|
Cranesong
|
STC-8
Stereo Compressor |
New |
£2495
order now
|
Cranesong
|
STC-8
Dual Mono Compressor |
New |
£2975
order now
|
Cranesong
|
Trakker
Mono Compressor |
New |
£1465
order now
|
Cranesong
|
HEDD
192 AD/DA |
New |
£1995
order now
|
Cranesong
|
Phoenix
- TDM Plug-In |
New |
£260
order now
|
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
Drawmer
|
DS201XLR
Dual Gate - Classic studio Dual Gate |
New |
£342
order
now
|
Drawmer
|
DL241
Dual Auto Compressor / Expander / Gate |
New |
£360
order
now
|
Drawmer
|
DL241XLR
Dual Auto Compressor / Expander / Gate - xlr version |
New |
£415
order
now
|
Drawmer
|
DL251
Spectral Compressor |
New |
£445
order
now
|
Drawmer
|
DL441
Quad Auto Compressor/Limiter |
New |
£465
order
now
|
Drawmer
|
Six
Pack 5.1 Surround Compressor/Limiter |
New |
£995
order
now
|
Drawmer
|
MX30
Dual Gate Compressor Limiter |
New |
£199
order
now
|
Drawmer
|
1960
Tube Compressor Pre-Amplifier |
New |
£845
order
now
|
Drawmer
|
1961
Tube Equaliser |
New |
£995
order
now
|
Drawmer
|
1968
Tube &
JFET Compressor
Mercenary Edition |
New |
£765
order
now
|
Drawmer
|
DMS1
Master Clock Generator & Sample Rate Converter |
New |
£675
order
now
|
Drawmer
|
MX50 Dual
De-Esser
|
New |
£245
order
now
|
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
| DW
Fearn |
VT1
Stunning Tube Mic-Pre (Dual) |
New
|
£1475
order now |
| DW
Fearn |
VT2
Stunning Tube Mic-Pre (Dual) |
New
|
£2275
order now |
| DW
Fearn |
VT4
Top Range Tube 5 Band Eq |
New
|
£2545
order now |
DW
Fearn |
VT7
Dual Compressor
The VT-7 audio path is entirely Class-A triode vacuum tubes, utilizing
circuitry similar to that used in the VT-2 Mic Preamp and VT-4 Equalizer.
Gain reduction is accomplished using a pulse width modulator, with
solid-state control circuitry. The unit has two independent channels,
which may be linked together for stereo. Inputs are line-level,
balanced bridging, and the outputs are line-level, transformer-balanced.
Maximum gain reduction is 25dB. The VT-7 has controls for Threshold,
Attack, Release, Gain, and a control that affects many parameters
and is labelled "Harder" at one extreme and "Softer" at the other.
A VU meter for each channel can be switched to measure gain reduction
or output level. The sound of the VT-7 is reportedly much like the
other D.W. Fearn products. It combines the musicality of vacuum
tubes with modern design. It features a wide compression range,
and a wide variety of useful settings that are appropriate for a
full range of music recording and speech. It is equally useful for
individual tracks or a complete mix. |
New
|
£2750
order now |
| DW
Fearn |
Passive
DI Box |
New
|
£195
order now |
| DW
Fearn |
Line
Pad |
New
|
£85
order now |
|
|
|
|
| EAR |
Model |
Condition
New/Used/Ex Demo |
|
| EAR |
660
Limiting Amplifier |
VGC
|
£1995
order now |
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
Empirical
Labs
 |
Distressor
EL8 Mono - Emulation includes : 1176, 2254, Fairchild, 160X, LA2
and Opto |
New |
£995
order now |
| Empirical
Labs |
Distressor
EL8XM - Including British Mode & Stereo Image Link Options |
New
|
£1095
order now |
| Empirical
Labs |
Distressor
EL8XS - Stereo pair including British Mode |
New
|
£2475
order
now |
| Empirical
Labs |
L'il
FrEQ - HP, Parametric & Dynamic Eq |
New
|
£1315
order
now |
|
Empirical
Labs
|
Fatso
Jnr - Tape simulator, Optimizer with Classic Knee comp |
New
|
£1645
order now |
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
|
Eventide
Princeton Digital Reverb 2016
|
Eventide's
Reverb 2016 recreates the legendary reverb algorithms
of Eventide’s SP2016 – Stereo Room, Room Reverb and High Density
Plate. Every aspect of the original effects has been duplicated
including every detail of the user parameters. While the algorithms
are identical to the originals, the hardware implementation is state-of-the-art,
with features that include a high performance 24 bit DSP, 24 bit
analog audio I/O, digital I/O and MIDI interface. The Reverb 2016
is built to reverb – it’s not a multi-effects box. It was designed
from the perspective that reverb is used nearly always and warrants
a dedicated box with an optimal user interface. The Reverb 2016
user interface is extremely easy-to-use, unbelievably cool and features
dedicated controls for each of the effect’s parameters. The controls
and display are intuitive. The panel controls are optimized for
the studio and for live performance. Up to 99 user presets can be
stored. While recreating the original reverbs is the Reverb 2016’s
raison d’etre, it also features brand new, enhanced versions of
the originals. These “New” reverbs are not a breakthrough: they
have the same basic structure of the originals but with more complex
early reflections, higher density, and finer control of the parameters.
The “New” reverbs represent the natural evolution of the development
work that maxed out the array processing power of the SP2016. |
New |
£1195
order now |
Eventide
|
Arriving
Soon |
New |
£000
order now |
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
Focusrite
- Liquid Channel
 |
Profoundly
new concept, many mic-pre, eq and compressors in one box |
New
|
£1849
order now |
| Focusrite
- Platinum |
Platinum
3 - Compounder Stereo Comp / Lim / Gate |
New
|
£319
order now |
| Focusrite
- Platinum
|
Platinum
8 - Octopre - 8 channel mic-pre with dynamics |
New
|
£519
order now |
| Focusrite
- Platinum
|
Platinum
9 - Voicemaster Pro Voice Channel |
New
SPECIAL |
£319
order now |
| Focusrite
- Red |
Red
1 - Quad Mic Amp |
New |
£1919
order now |
| Focusrite
- Red
|
Red
3 - Dual Compressor |
New
|
£2149
order now |
| Focusrite
- Red
|
Red
7 - MIc Pre & Dynamics |
New
|
£1849
order now |
| Focusrite
- Red
|
Red
8 - Dual Mic Pre |
New
|
£1349
order now |
| Focusrite
- ISA |
ISA
428 Pre Pack |
New
|
£1149
order now |
| Focusrite
- ISA |
ISA
220 Session Pack |
New
|
£1049
order now |
| Focusrite
- ISA |
ISA
430 Producer Pack |
New
|
£1595
order now |
|
|
|
|
 |
Model |
Condition
New/Used/Ex Demo |
|
| GML |
8302
Mic Pre |
New |
£1490
order now |
| GML |
8304
Dual Mic Pre |
New |
£1990
order now |
| GML |
8200
Dual Eq |
New |
£3290
order now |
| GML |
8900
Dual Compressor |
New |
£2690
order now |
| GML |
9500
Stereo Mastering Eq |
New |
£6585
order now |
|
|
|
|
|
Model |
Condition
New/Used/Ex Demo |
|
| Manley
|
Manley
Mono Mic Pre |
New
|
£945
order now
|
| Manley
|
Manley
Dual Mic Pre |
New
|
£1250
order now
|
| Manley
|
Manley
Mic Pre / EQ500 Combo |
New
|
£1650
order now
|
| Manley
|
Massive
Passive |
New
|
£2895
order now
|
| Manley
|
Slam |
New
|
£3695
order now
|
| Manley
|
Slam
Digital |
New
|
£4995
order now
|
| Manley
|
Variable
MU |
New
|
£2475
order now
|
| Manley
|
ASAP
Europe
Dynamics,
Mic Pre-amps,
Effect
Units & Accessories ,
on