{"title":"Audio Interfaces","description":"\u003cp\u003eFor the sake of simplicity we're using Audio Interfaces as a generic term for any product that provides a means of getting into and\/or out of your recording computer. It may incorporate analogue and digital converters microphone pre-amps, line and DI levels, MIDI, MADI, SPDIF, AES ADAT format etc etc - the distinguishing factor is that it is not purely an AD\/DA.\u003c\/p\u003e","products":[{"product_id":"prism-sound-lyra-1-channel-a-d-converter-usb","title":"Prism Sound Lyra 2","description":"\u003cdiv class=\"elementor-element elementor-element-9d492ae elementor-widget elementor-widget-text-editor\" data-id=\"9d492ae\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eLyra represents the pinnacle of compact audio interfaces. Packing Prism Sounds trusted, uncompromising AD\/DA conversion into a compact chassis perfect for use in the studio or on the road.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-93a4d25 elementor-widget elementor-widget-text-editor\" data-id=\"93a4d25\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eBased on the Orpheus’ audio path and clock circuitry, Lyra is ideal for those who don’t require a large I\/O count, but do demand the highest quality and most transparent AD\/DA available.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-0fdd53d elementor-section-boxed elementor-section-height-default elementor-section-height-default jet-parallax-section\" data-id=\"0fdd53d\" data-element_type=\"section\" data-settings='{\"jet_parallax_layout_list\":[{\"jet_parallax_layout_image\":{\"url\":\"\",\"id\":\"\",\"size\":\"\"},\"_id\":\"fed0360\",\"jet_parallax_layout_image_tablet\":{\"url\":\"\",\"id\":\"\",\"size\":\"\"},\"jet_parallax_layout_image_mobile\":{\"url\":\"\",\"id\":\"\",\"size\":\"\"},\"jet_parallax_layout_speed\":{\"unit\":\"%\",\"size\":50,\"sizes\":[]},\"jet_parallax_layout_type\":\"scroll\",\"jet_parallax_layout_direction\":null,\"jet_parallax_layout_fx_direction\":null,\"jet_parallax_layout_z_index\":\"\",\"jet_parallax_layout_bg_x\":50,\"jet_parallax_layout_bg_x_tablet\":\"\",\"jet_parallax_layout_bg_x_mobile\":\"\",\"jet_parallax_layout_bg_y\":50,\"jet_parallax_layout_bg_y_tablet\":\"\",\"jet_parallax_layout_bg_y_mobile\":\"\",\"jet_parallax_layout_bg_size\":\"auto\",\"jet_parallax_layout_bg_size_tablet\":\"\",\"jet_parallax_layout_bg_size_mobile\":\"\",\"jet_parallax_layout_animation_prop\":\"transform\",\"jet_parallax_layout_on\":[\"desktop\",\"tablet\"]}]}'\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6a3ad60\" data-id=\"6a3ad60\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-d8adcd7 elementor-widget elementor-widget-heading\" data-id=\"d8adcd7\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"pricing-feature pricing-feature-c8ad92d item-included\"\u003e\n\u003cdiv class=\"pricing-feature__inner\"\u003e\u003cspan class=\"pricing-feature__text\"\u003e2 A\/D Analogue Input Channels\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pricing-feature pricing-feature-465ee27 item-included\"\u003e\n\u003cdiv class=\"pricing-feature__inner\"\u003e\n\u003cspan class=\"item-bullet jet-elements-icon\"\u003e\u003ci aria-hidden=\"true\" class=\"fas fa-check\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"pricing-feature__text\"\u003e4 D\/A Analogue Line Output Channels\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pricing-feature pricing-feature-fce7f6e item-included\"\u003e\n\u003cdiv class=\"pricing-feature__inner\"\u003e\n\u003cspan class=\"item-bullet jet-elements-icon\"\u003e\u003ci aria-hidden=\"true\" class=\"fas fa-check\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"pricing-feature__text\"\u003eS\/PDIF \/ ADAT Digital In\/Out\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pricing-feature pricing-feature-fe3a770 item-included\"\u003e\n\u003cdiv class=\"pricing-feature__inner\"\u003e\n\u003cspan class=\"item-bullet jet-elements-icon\"\u003e\u003ci aria-hidden=\"true\" class=\"fas fa-check\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"pricing-feature__text\"\u003eAES3 Mode on RCA\/Phono\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pricing-feature pricing-feature-06033b1 item-included\"\u003e\n\u003cdiv class=\"pricing-feature__inner\"\u003e\n\u003cspan class=\"item-bullet jet-elements-icon\"\u003e\u003ci aria-hidden=\"true\" class=\"fas fa-check\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"pricing-feature__text\"\u003eWord-clock Sync I\/O\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Prism Sound","offers":[{"title":"Lyra 2","offer_id":250413790,"sku":null,"price":1725.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/lyra2-front-black-1536x480.jpg?v=1732881617"},{"product_id":"lynx-aes16e-1","title":"Lynx AES16e-50","description":"\u003cp\u003e \u003cspan\u003eThe AES16e offers 16 channels of 192 kHz AES\/EBU I\/O. In addition to the base model, the AES16e-SRC will include sixteen channels of sample rate conversion and AES16e-50 will provide up to 48 additional digital channels via AES50 technology.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eThe AES16e builds on the capabilities of our industry-standard AES16 with an updated feature set and the benefits of the PCI Express interface. The architecture and higher bandwidth of PCI Express reduces bottlenecks and overhead, which provides higher performance for computer-based high end audio.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eThe AES16e x1 PCI Express card provides 16 channels of 24-bit AES\/EBU digital audio at a 192 kHz sample rate in both single-wire and dual-wire AES modes. Designed to integrate digital consoles, multi-channel A\/D and D\/A converters, hard disk recorders, digital audio workstations and other digital audio equipment, the AES16e is compatible with Windows and Macintosh operating systems.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eThe AES16e-SRC provides 16 channels of sample rate conversion, which may be switched on for any or all of the 8 digital inputs.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eThe third model, tentatively named the AES16e-50, will add up to 48 digital I\/O channels using AES50 technology, carrying the digital signal on standard CAT5 or CAT6 cable. Pricing and availability has yet to be determined for the AES16e-50.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003ex1 PCI Express interface works with Macintosh or Windows PCs with PCI Express slots (x1 - x16).\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEight stereo inputs and eight stereo outputs (16 mono I\/O), AES\/EBU format, 24-bit, single wire and dual wire, transformer coupled.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eExtensive on-board digital mixer.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOptional sixteen channels of Sample Rate Conversion. Support for conversion ratios up to 16:1 with 144 dB dynamic range and -140dB THD+N.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOptional AES50 interface.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAll relevant settings, such as sample rate selection, sync source selection, channel routing, and buffer size are enabled, controlled and monitored from the host computer.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMulti-channel support of 5.1 and 7.1 surround playback formats.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eIncludes Lynx-exclusive SynchroLock? sample clock generator for 3000:1 jitter rejection on external clock sources.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSupports ASIO and WDM for Windows and CoreAudio for Mac OS X.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEasy driver installation for Windows, Mac OS X.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Lynx AES16e-SRC","offer_id":250853052,"sku":null,"price":892.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/aes16e_pr_2007_4.jpg?v=1620843747"},{"product_id":"lynx-aurora-16-hd-card","title":"Lynx Aurora 16 + HD Card","description":"\u003cp\u003e\u003cspan\u003eThe Aurora converters provide world-class A\/D and D\/A conversion in a compact one-rack space format. With sample rates up to 192 kHz.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAurora offers wide, open, uncompressed and unequalised audio for studios, mastering facilities, remote recording, broadcast and post-production. \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eSince the introduction of the LT-HD Pro Tools card, an increasing number of Pro Tools users have been choosing Lynx Aurora converters, and\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ehere are just some of the reasons why:\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eThe audio quality. Rich, open, transparent. Let your ears give it a try.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eRock solid stability and seamless integration with Pro Tools HD systems. \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eVery high channel count in a compact 1U package.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eAurora offers significant savings per channel when compared to all other ProTools compatible converters.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003eAurora adds no EQ, compression, or other audio colouration to the signal – the sound you put into the converter is the sound that comes out of the converter.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan\u003ePlug it in and go. ProTools|HD immediately recognises Aurora when connected via standard DigiLink cables.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":250858936,"sku":"","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/46397_lynx_studio_aurora_16_hd_bundle_large.jpg?v=1620843748"},{"product_id":"lynx-aurora-8-hd-bundle","title":"Lynx Aurora 8 HD Bundle","description":"\u003cp\u003e Lynx Aurora 8HD Bundle\u003c\/p\u003e\n\u003cp\u003eWith the LT-HD LSlot card, Aurora converters are seamlessly incorporated into Pro Tools|HD® studios via HD Core or Accel Core cards using standard DigiLink cabling. All Aurora I\/O functions for parameter control are controlled and monitored within Pro Tools.\u003c\/p\u003e\n\u003cp\u003eAurora 16HD and Aurora 8HD are 16 and 8 channel 24 bit \/192 kHz analog-to-digital\/digital-to-analog converters in a single-space rack-mountable case. The Aurora 16-VTHD adds variable trim pots to all analog input and output channels, for fine adjustment of maximum output levels between +8.5 dBu to +24 dBu. The analog inputs and outputs are electronically balanced. The AES digital I\/O is transformer coupled and is capable of driving 500 feet of cable at 192 kHz. Both dual and single wire AES channel modes are supported at sample rates up to 192 kHz.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":250859604,"sku":"","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/aurora8large_1.jpg?v=1620843749"},{"product_id":"lynx-hilo-ad-da-interface","title":"Lynx Hilo AD\/DA \u0026 Interface","description":"\u003cp\u003e\u003cb\u003eLynx Re-engineers the two-channel converter format with innovative features and control\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eTHE HILO REMOTE APP FOR THE iPAD IS NOW AVAILABLE FREE FROM iTUNES\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology is proud to present the Hilo Reference A\/D D\/A Converter System. With the pristine, open, transparent audio quality for which Lynx is known, Hilo (pronounced HE-low) provides two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier in a compact half-rack size. A first for the two-channel pro converter market, Hilo’s innovative 480 x 272 touch-screen provides a flexible and intuitive interface that can adapt to a particular application and be easily upgraded with enhancements and new features. Front panel controls support extensive signal routing and mixing, sample rate selection, clock source options, levels, metering and diagnostic features.\u003c\/p\u003e\n\u003cp\u003eHilo completely redefines and evolves the category of the two channel converter. Of utmost importance is the audio signal quality. The completely new design of the analog stages and converter topology for Hilo break new ground in terms of lowering distortion and noise while maintaining transparency for A\/D and D\/A conversion. Beyond that, Hilo offers extensive I\/O capabilities and utilizes the latest FPGA technology with vast resources for control, routing, and signal processing capabilities. Also in development are diagnostic and analysis tools for Hilo. The LCD screen is a natural interface for these functions.\u003c\/p\u003e\n\u003cp\u003eThe digital or analog inputs can be routed to three separate analog outputs, Line Output (with 8 trim settings), Monitor Output, and Headphone Output. Each of these output pairs has its own dedicated DACs, allowing each to offer a unique mix. The Monitor and Headphone Outputs have volume controls, accessible via faders on the touch-screen or the single knob on the front (offering control in ½ dB increments). Another innovation, the Headphone section has its own dedicated D\/A converter. This supports the creation of 32-channel headphone mixes independent of the main and monitor outputs, as well as providing specifications that rival those of dedicated headphone amps costing $1500 and more.\u003c\/p\u003e\n\u003cp\u003eThe digital section offers a wide range of inputs. AES\/EBU inputs and outputs have transformer isolated balanced XLR connectors. S\/PDIF input and output are available via transformer-coupled coax or optical (TOSLINK) connections. The Optical ports can also be used for up to eight ADAT channels. The ADAT input and output channels are completely independent from the AES\/EBU or S\/PDIF coax channels. The Lynx LT-USB (USB 2.0) or LT-TB (Thunderbolt) LSlot accessory is also included, for computer connectivity. The LT-HD for Pro Tools HD connectivity is also enabled. Lynx’s low jitter SynchroLock word clock is included, with Word Clock in and out connections available.\u003c\/p\u003e\n\u003cp\u003eIn total, Hilo has 12 total inputs, 16 total outputs plus 32 channels possible via its LSlot port. The unit’s FPGA powers its internal 32-channel mixer, which allows Hilo to offer the most versatile I\/O and routing in the two channel converter genre.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the concentrated and intricate back panel, Hilo’s front panel is elegant in its simplicity. It has a power switch, headphone jack, multipurpose control and a 480 x 272 pixel high resolution LCD touchscreen. This high-resolution screen does a lot more than simply replace the buttons on the front panel of most other converters. Of course it handles the basic settings and routing functions, clocking and level settings.\u003c\/p\u003e\n\u003cp\u003eA second meter screen shows just two larger bar-graph style stereo bar meters. Any input or output set can be assigned to each meter. In addition to bar-graph meters common on most converters, Hilo’s touchscreen is able to show more traditional metering types, such as old style VU meters. Firmware version 7 added a powerful metering addition, a stereo third octave real time analyzer. As with all other Lynx products, Hilo is FPGA based, meaning new features, capabilities and graphics can be added at any time with a simple download.\u003c\/p\u003e\n\u003cp\u003eCrucial for mastering and critical listening, Hilo offers world class, verifiable specifications. Every unit Lynx ships will meet or exceed these published specs:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE IN A\/D PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -114dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A-weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.01 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -140 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE OUT D\/A PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -109dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A- weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.02 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -135 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003eHilo can be powered by standard 110-230V AC power or remotely with 9-18 volts DC, allowing the use of standard video battery packs or even auto cigarette lighter connections. Hilo measures 8.50 x 3.25 x 10.00 inches, weighs 6.75 pounds and is available with a silver or black front panel\/knob option. Now available in Silver and Black, the US suggested retail price is $2495 with the LT-USB and $2795 with the LT-TB.\u003c\/p\u003e\n\u003cp\u003eIt is impossible to compare Hilo to other two channel AD and DA converters. In fact it is a unique product that is, at first, a little difficult to get your head around. Basically, Hilo replaces three different, critical components:\u003c\/p\u003e\n\u003cp\u003e#1 Hilo is an analog to digital converter\u003c\/p\u003e\n\u003cp\u003e#2 It is also a digital to analog converter. With most companies, these are two separate units.\u003c\/p\u003e\n\u003cp\u003e#3 It is an independent headphone amplifier. The headphone section has its own, dedicated D\/A converter. This provides two key benefits. First this allows Hilo to offer a headphone output with exceptional clarity and noise specifications. Second, due to Hilo’s internal 32 channel mixer, any input set can be routed to the headphone stereo output. This means that a mix that is entirely different from the analog outputs and monitors can be applied to the headphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHilo is a 4 in one unit – A\/D converter, D\/A converter, Monitor Controller with a dedicated D\/A converter and a Headphone amplifier with a dedicated D\/A converter.\u003c\/li\u003e\n\u003cli\u003eThere are three unique sets of analog outputs: main analog output, monitor output (with analog volume) and headphone output (with analog volume)\u003c\/li\u003e\n\u003cli\u003eThe flexible digital I\/O section offers the choice of AES\/EBU, SPDIF by coax or TOSLINK optical, or ADAT formats\u003c\/li\u003e\n\u003cli\u003eThe innovative design of the analog stage and converter topology allow ultra low noise and distortion specifications\u003c\/li\u003e\n\u003cli\u003eA 480 x 272 pixel LCD touch screen for operation and monitoring\u003c\/li\u003e\n\u003cli\u003eA 32 channel internal mixer in the updatable FPGA\u003c\/li\u003e\n\u003cli\u003e12 total inputs, 16 total outputs plus 32 channels possible via LSlot.\u003c\/li\u003e\n\u003cli\u003eAC powered with Battery operation available\u003c\/li\u003e\n\u003cli\u003eOpen ended software for future measurement, metering, diagnostic and personalization features using the touch screen LCD.\u003c\/li\u003e\n\u003cli\u003eSize - 8.50” wide x 3.25” tall x 10.00” deep (half rack, two spaces)\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":250870508,"sku":"","price":2800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/lynx_hilo_640_80.jpg?v=1620843750"},{"product_id":"a-designs-atty-stereo-attenuator","title":"A Designs ATTY Stereo Attenuator","description":"\u003cstrong\u003e\u003cspan class=\"xr_tl xr_s6\" style=\"top: 61px;\"\u003eA-Designs Audio ATTY is a no-compromise, 100% passive, two-\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 82px;\"\u003echannel line-level attenuator offering transparent, unaffected sound quality. ATTY’s diminutive size (4-1\/2” x 1-1\/2” x 3”) \u003c\/span\u003e \u003c\/strong\u003e\u003cspan class=\"xr_tl xr_s6\" style=\"top: 104px;\"\u003e\u003cstrong\u003emakes it a highly versatile and convenient tool, suitable for use in a world-class studio.\u003c\/strong\u003e Or, it can be a cost-effective solution \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 125px;\"\u003eto the space-challenged bedroom studio needing high-quality monitor control (without the high price tag).\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 147px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 168px;\"\u003eThe A-Designs Audio ATTY is simplicity itself. Its passive design allows it to be placed in any signal path with ease. Housed \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 190px;\"\u003ein a rugged metal case, it has two Neutrik XLR\/TRS (1\/4”) combo jacks and two balanced XLR outputs for quiet, noise-free \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 211px;\"\u003eoperation. Stereo Level control is provided by a single knob, which adds to ATTY’s ease-of-use resume. With a single knob \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 232px;\"\u003etwist, you can control stereo monitors, or the outputs of a dual-channel preamp while recording a loud sound source. And if \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 254px;\"\u003eyou find yourself in a situation, studio or stage, where feedback or other nasty-big, speaking-thumping sounds take you by \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 275px;\"\u003esurprise, you find ATTY’s Mute\/panic button a godsend.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 297px;\"\u003e  \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s27\" style=\"top: 336px;\"\u003e\u003cspan class=\"xr_s10\"\u003eApplications:\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 374px;\"\u003eThe most obvious use of ATTY is for control of any line-level source ranging from powered monitors to CD players. It’s a \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 396px;\"\u003eparticularly handy device when it comes to maintaining level control of powered monitors that have a separate volume \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 417px;\"\u003econtrol on each speaker, such as the ADAM A7. Once you calibrate your monitors to equal level, you need never touch them \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 438px;\"\u003eagain. Let ATTY’s single stereo knob and extremely handy mute button take it from there.\u003c\/span\u003e\u003cstrong\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 460px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 481px;\"\u003eBut wait kids, there’s more! Let’s say you’re recording kick drum and snare with an API 3124. You’ve got the input gain set at \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 503px;\"\u003ethe sweet spot, but due to the API’s hot output, you need level control to protect your converters from clipping. Plus, you \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 524px;\"\u003edon’t want to change sound quality by using its pads, or record with compression. A-Designs has one word for you: ATTY. \u003c\/span\u003e\u003c\/strong\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 546px;\"\u003eAnd if you’re using the 3124 to record toms, two ATTYs will do it. (Or, you can check out A-Designs’ dual-stereo + dual mono \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 567px;\"\u003eATTY’2D for more independent level control.)\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 589px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 610px;\"\u003eAs long as we’re on the topic of preamps, place an ATTY in back of one of A-Design’s Audio tube preamps, such as the MP-\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 631px;\"\u003e2A, and explore different in\/out level combinations without overloading other gear.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 653px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 674px;\"\u003eOne last tip, but certainly not the limit of ATTY’s applications; you can also use it as a passive line level control for guitar and \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 696px;\"\u003ebass amp extension speakers.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 717px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 739px;\"\u003eAfter you’ve explored the many possibilities that the A-Designs Audio ATTY has to offer in both recording and live settings, \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 760px;\"\u003efeel free to pass along your tips to other ATTY users. And don’t forget to check out the rackmount version, ATTY’s big \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 782px;\"\u003ebrother, the six channel A-Designs Audio ATTY2’D dual stereo\/dual mono monitor controller\/line level attenuator.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s26\" style=\"top: 803px;\"\u003e\u003cspan class=\"xr_s6\"\u003e \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s27\" style=\"top: 842px;\"\u003e\u003cspan class=\"xr_s10\"\u003e\u003cbr\u003e\u003cbr\u003eATTY FEATURES \u0026amp; SPECIFICATIONS\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 880px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 880px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003e100% passive line attenuator.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 902px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 902px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eDoes not color or negatively affect sound quality.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 923px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 923px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eConvenient, one-knob stereo level control.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 945px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 945px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eTransparent, noise-free level control for any line-level source.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 966px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 966px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eDesktop powered monitor control.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 988px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 988px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eSuper handy Mute\/Panic button prevents speaker-damaging thumps or feedback.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1009px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1009px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003ePrevent digital overs caused by high-output preamps.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1030px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1030px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eControl output levels while maintaining high-gain input signal.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1052px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1052px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eCompact size fits easily in small spaces.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1073px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1073px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eTwo balanced Neutrik XLR\/TRS combo jacks.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1095px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1095px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eTwo balanced XLR outputs.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1116px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1116px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eRugged metal casing.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1138px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1138px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eDimensions (W\/H\/D): 4-1\/2” x 1-1\/2” x 3”.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1159px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1159px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eWeight: 0.7 lb\u003c\/span\u003e\u003c\/span\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":362983055,"sku":"","price":137.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/atty.jpg?v=1620843902"},{"product_id":"a-designs-atty2-d-passive-line-level-control-5-1","title":"A Designs ATTY2'D Passive Line Level Control 5.1","description":"\u003cspan class=\"xr_tl xr_s6\" style=\"top: 97px;\"\u003eAudio \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 115px;\"\u003eprofessionals found the two-channel ATTY line-level attenuator, highly useful but desired more \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 132px;\"\u003echannels. \u003cbr\u003e\u003cstrong\u003eA-Designs Audio gave them ATTY2’D, a six-channel 1U rackmountable version of the popular ATTY with dual \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 150px;\"\u003estereo channels and two mono channels, each with level control and mute button—particularly handy if you’re working with \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 168px;\"\u003emultiple sets of stereo monitors. Better still, featured prominently in the center of ATTY2’D’s front panel is a large \u003c\/span\u003e \u003c\/strong\u003e\u003cspan class=\"xr_tl xr_s6\" style=\"top: 186px;\"\u003e\u003cstrong\u003erectangular-shaped master mute switch that shuts of all six channels at once—perfect for a 5.1 surround setup.\u003c\/strong\u003e In fact, the \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 204px;\"\u003efront panel is silk-screened to reflect 5.1-surround operation.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 222px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 240px;\"\u003eDue to its 100% passive circuitry and XLR I\/O, ATTY2’D easily integrates into your studio, whether you’re connecting directly \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 258px;\"\u003eto other XLR-equipped gear, studio monitors, or wiring it to a patchbay. And if you are looking for high-quality control of multi-\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 275px;\"\u003emonitor pairs, you won’t find a more affordable, practical solution than the ATTY2’D, thanks to its audiophile-quality \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 293px;\"\u003ecomponents and passive design.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 311px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s10\" style=\"top: 347px;\"\u003eApplications:\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 380px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 398px;\"\u003eApart from its ability to provide seamless, transparent attenuation for any line-level device, such as CD players, talkbacks, \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 416px;\"\u003eguitar\/bass amp extension speakers, or audio surge protectors, it’s particularly handy as a preamp output gain control in \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 434px;\"\u003emulti-mic recording situations. For example, when tracking drums, kick and snare often require some level control to prevent \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 452px;\"\u003eclipping the converters. However many engineers would rather not color sound with pads or recording with compression. \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 470px;\"\u003eWith the proper ATTY2’D, you can maintain input levels at the sweetspot and record without any adverse affects on sound \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 488px;\"\u003equality. Plus, if you’re using a four-channel preamp with a hot output on toms, such as an API 3124, just use ATTY2’D’s dual \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 505px;\"\u003estereo channels along with the mono channels on kick and snare—and Bob’s your uncle.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 523px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 541px;\"\u003eThe most apparent use of ATTY2’D is for level control of multiple powered-monitor pairs. ATTY2’D’s single-knob stereo \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 559px;\"\u003echannels with individual mute buttons give you complete control over two pairs of powered monitors, while its mono \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 577px;\"\u003echannels allow you to control a subwoofer and single point-source speaker, such as an Avantone Active MixCube, for \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 595px;\"\u003echecking mono compatibility. Or, you can use the dual mono channels for a third stereo monitor pair along with Master Mute \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 613px;\"\u003eif you need to switch them off in a hurry (or simply enjoy the convenience).\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 631px;\"\u003e   \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s10\" style=\"top: 666px;\"\u003eATTY2’D Adjustment:\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 700px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 718px;\"\u003eSpeaking of monitor control, ATTY2’D makes a fine level controller for a 5.1 surround system, as reflected on the front-panel \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 736px;\"\u003esurround labeling scheme: Stereo \/ Front; Stereo SL\/SR; Mono \/ Center; and Mono \/ Sub. Whether you’re using it for \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 753px;\"\u003emultiple stereo monitors or surround, to calibrate your ATTY2’d, turn level knobs for all speakers clockwise to maximum \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 771px;\"\u003e(labeled “Cal”), then calibrate from your software or console. Always start with “Sub.”\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 789px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 807px;\"\u003eThere you have it—now go and get yourself an ATTY2’D—by A-Designs Audio.\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 825px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s10\" style=\"top: 861px;\"\u003eATTY2D FEATURES \u0026amp; SPECIFICATIONS:\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s6\" style=\"top: 894px;\"\u003e \u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 912px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 912px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003e100% passive, 6-channel dual-stereo\/dual-mono line-level controller. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 930px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 930px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eHighest quality components and balanced I\/O ensure ultra transparency and easy studio integration. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 948px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 948px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eAffordable, audiophile-quality level control of multiple powered monitors including 5.1 surround systems. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 966px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 966px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eSingle-knob control of stereo channels. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 983px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 983px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eMute\/Master Mute offers instant audio termination. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1001px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1001px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003ePrevent digital overs caused by high-output preamps. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1019px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1019px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eControl output levels while maintaining high-gain input signal. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1037px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1037px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eControl in\/out levels of tube preamps. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1055px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1055px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eFaceplate silk-screened to reflect 5.1 surround operation. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1073px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1073px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eDesigned to be a redundant backup for your system control. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1091px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1091px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003eBalanced XLR I\/O. \u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 14px; top: 1109px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s7\"\u003e•\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"xr_tl xr_s11\" style=\"left: 38px; top: 1109px; font-family: Times New Roman;\"\u003e\u003cspan class=\"xr_s6\"\u003e1U rackmountable 19” frame\u003c\/span\u003e\u003c\/span\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":362985073,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/ATTY2D.jpg?v=1620843903"},{"product_id":"lynx-aurora-usb-bundle","title":"Lynx Aurora 8 USB Bundle","description":"\u003cp\u003eThis is a Lynx Aurora 8 with pre-fitted LT-USB card\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":364192673,"sku":"","price":2495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Aurora8Large_24f6736c-665b-4e49-b67c-fa4cb3d93321.jpg?v=1620843926"},{"product_id":"lynx-aurora-16-usb-bundle","title":"Lynx Aurora 16 USB Bundle","description":"\u003cp\u003e\u003cstrong\u003eThis is a Lynx Aurora 16 with LT USB Card\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLynx Aurora 16\u003c\/span\u003e AD\/DA converter provides world-class analog to digital and digital to analog conversion in a compact one-rack space format. With sample rates up to 192 kHz, Aurora offers wide, open, un-compressed and un-equalized audio for studios, mastering facilities, remote recording, broadcast and production. Lynx’s exclusive SynchroLock word clock offers extreme jitter reduction, providing clean digital audio signals for Aurora and other digital devices in the studio.\u003cbr\u003e\u003cbr\u003eAurora also avoids some of the limitations that other pro level converters have. Aurora does not have a noisy fan, does not lose channel count at higher sample rates and does not require costly analog and digital modules to achieve the unit’s full channel count.\u003cbr\u003e\u003cbr\u003eAurora can be used with any audio content. Equalization and limiting functions, which can color or alter the sound, have not been added. Lynx’s design provides accurate conversion, clear clean audio, wide imaging – the sound you put into Aurora is the sound that you get out of Aurora.\u003cbr\u003e\u003cbr\u003eThe Aurora 16 was nominated for a TEC award in 2005. Aurora with LT-HD has been nominated for a 2007 TEC award.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous 16 Channel Analog I\/O and 16 Channel AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e24 Bit \/ 192 kHz Mastering Quality A\/D and D\/A conversion\u003c\/li\u003e\n\u003cli\u003e192 kHz AES\/EBU I\/O Supporting Single and Dual Wire Modes\u003c\/li\u003e\n\u003cli\u003eSingle Rack Space Configuration\u003c\/li\u003e\n\u003cli\u003eExtensive Remote Control Capability via Lynx AES16, IrDA and MIDI\u003c\/li\u003e\n\u003cli\u003eOn-board 32 Channel Digital Mixer Provides Flexible I\/O Routing\u003c\/li\u003e\n\u003cli\u003eWord clock I\/O with Lynx SynchroLock™ Sample Clock Technology\u003c\/li\u003e\n\u003cli\u003eDigital I\/O DB-25 connectors follow Yamaha pinout protocol\u003c\/li\u003e\n\u003cli\u003eAnalog I\/O DB-25 connectors follow Tascam pinout protocol\u003c\/li\u003e\n\u003cli\u003eRoHS compliant\u003c\/li\u003e\n\u003cli\u003eAvailable in 100V, 115V and 230V models\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eLynx LT-USB\u003c\/span\u003e is an LSlot interface for the Aurora 8 and Aurora 16 A\/D D\/A converters that provides digital input and output to desktop and portable computers using USB 2.0 ports. Both Mac and Windows computers are supported. Ideal for quick connect and portable applications, the LT-USB allows up to 16 input and output channels at up to 96 kHz, and 8 channels at 192 kHz. When used with popular recording, audio production and mastering applications, the LT-USB allows Aurora’s compact size to be an integral part of a compact mobile studio.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eKey Specifications and Features\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne Primary and one Expansion DigiLink port\u003c\/li\u003e\n\u003cli\u003eUp to 32 channels of conversion per HD Core or Accel Core card possible with two Aurora 16's\u003c\/li\u003e\n\u003cli\u003eSupports full channel count at sample rates up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eOffers audio signal latency identical to that of the Digidesign 192 I\/O™ for accurate delay compensation within ProTools - no manual delay adjustments required\u003c\/li\u003e\n\u003cli\u003eAllows I\/O functions for parameter control to be controlled and monitored within ProTools\u003c\/li\u003e\n\u003cli\u003eInterfaces with HD system using standard DigiLink cables\u003c\/li\u003e\n\u003cli\u003eAllows daisy-chaining of multiple Aurora converters and other DigiLink devices via Expansion port\u003c\/li\u003e\n\u003cli\u003eLynx proprietary SynchroLock™ technology can be used to reduce jitter when Aurora is a clock slave or to provide stable, low-jitter clock to downstream devices\u003c\/li\u003e\n\u003cli\u003eEasily installed into Aurora frame\u003c\/li\u003e\n\u003cli\u003eAurora remote control via MIDI and IrDA\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured in the USA by Lynx Studio Technology, Inc.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":364193713,"sku":"","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Aurora16Large.jpg?v=1620843916"},{"product_id":"prism-titan-2694-incl-vat","title":"Prism Sound Titan with Tracktion Everything Bundle - Black Friday Special","description":"\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eOverview\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Titan is ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S\/PDIF or AES3 I\/O.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eSignal Path\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eNo-compromise, full Prism Sound audio quality\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Titan is well-behaved both as a computer peripheral and an audio processor. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Titan noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eStandards compliant USB interface\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003ePrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Titan uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Titan controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cimg src=\"http:\/\/www.prismsound.com\/music_recording\/graphics\/prod_photos\/titan_ang_l1.jpg\" style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc; float: left; margin-left: -20px; opacity: 0.5; border: none !important;\"\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eFlexible Inputs and Outputs\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Titan offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Titan a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan's eight analogue inputs support various capabilities. Titan has four really good mic amps with software-controlled gain in 1dB steps, individually-switchable phantom power - and very low noise and distortion. These inputs are auto-sensing, and support microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two of these inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan is also able to support alternative and future connection standards by the provision of an interface module slot. An optional Pro Tools HDX Compatible interface module provides eight channels of digital audio input and output for the Titan in a form compatible with Avid Pro Tools|HDX workstations. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eThe co-axial digital I\/O port can be switched in the Titan controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eTitan can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Titan controller applet, the unit can be disconnected from the host computer and used independently. Titan will retain its settings when powered down so even if it is switched off, Titan can be re-powered and stand-alone operation can continue with the automatically-stored settings.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eDigital Mixer\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Titan has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Titan provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eThere is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eAlthough the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eFlexible Monitoring\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eProfessional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups. \u003c\/span\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cbr style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003e\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eAs well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Titan allow monitor setups from multi-stereo up to 7.1 surround. Titan has a real volume knob which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc;\"\u003eSample Rate Conversion and Noise Shaping\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Titan can also generate, say, a live 44.1kHz output from a 96kHz session. Since Titan also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality.\u003c\/span\u003e\n\u003ch1 style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; background-color: #fcfcfc; padding: 0px;\"\u003eUnsurpassed Jitter Rejection\u003c\/h1\u003e\n\u003cspan style=\"color: #464646; font-family: Helvetica, 'Helvetica Neue', Arial, Geneva, sans-serif; font-size: 12px; line-height: 18px; background-color: #fcfcfc;\"\u003eIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Titan is as rock-steady as its forbears.\u003c\/span\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":404006789,"sku":"","price":2235.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Titan_Black.jpg?v=1620843536"},{"product_id":"prism-sound-atlas","title":"Prism Sound Atlas","description":"\u003cp\u003e\u003cstrong\u003eAtlas\u003c\/strong\u003e\u003cspan\u003e. Designed around the breakthrough and patented Prism Sound \u003c\/span\u003e\u003cstrong\u003eCleverclox\u003c\/strong\u003e\u003cspan\u003e clocking technology and featuring \u003c\/span\u003e\u003cstrong\u003eeight\u003c\/strong\u003e\u003cspan\u003e of the incredibly popular \u003c\/span\u003e\u003cstrong\u003ePrism Sound\u003c\/strong\u003e\u003cspan\u003e microphone preamplifiers, the new Prism Sound \u003c\/span\u003e\u003cstrong\u003eAtlas USB multitracking interface\u003c\/strong\u003e\u003cspan\u003e is the professional choice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike all Prism Sound products, \u003c\/span\u003e\u003cstrong\u003eAtlas\u003c\/strong\u003e\u003cspan\u003e leads the way in terms of digital and analogue audio quality providing truly uncompromised and world-beating audio interface performance which can only be achieved from over 25 years of leading audio expertise.\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAtlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S\/PDIF or AES3 I\/O. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003ca name=\"signal_path\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eSignal path\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced witOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003cbr\u003e\u003cbr\u003eAtlas's eight analogue inputs support various capabilities. Atlas has four high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003cbr\u003e\u003cbr\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O. \u003cbr\u003e\u003cbr\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003cbr\u003e\u003cbr\u003eDigital Mixer\u003cbr\u003eOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Atlas has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. \u003cbr\u003e\u003cbr\u003eThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Atlas provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. \u003cbr\u003e\u003cbr\u003eThere is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic. \u003cbr\u003e\u003cbr\u003eAlthough the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering. \u003cbr\u003e\u003cbr\u003eAtlas\u003cbr\u003eFlexible Monitoring\u003cbr\u003eProfessional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups. \u003cbr\u003e\u003cbr\u003eAs well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Atlas allow monitor setups from multi-stereo up to 7.1 surround. Atlas has a real volume knob with mute function which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. \u003cbr\u003e\u003cbr\u003eSample Rate Conversion and Noise Shaping\u003cbr\u003eThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Atlas can also generate, say, a live 44.1kHz output from a 96kHz session. Since Atlas also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality. \u003cbr\u003e\u003cbr\u003eUnsurpassed Jitter Rejection\u003cbr\u003eIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Atlas is as rock-steady as its forbears. \u003cbr\u003e\u003cbr\u003eSupport\u003cbr\u003eOver the years, Prism Sound's reputation for audio quality has been matched by its reputation for after-sales support and technical advice. Atlas has the benefit of that support and customers have access to one of the best technical teams in the business. \u003cbr\u003e\u003cbr\u003eThe Last Word\u003cbr\u003eWe believe that Atlas delivers exactly what our personal studio customers have asked for - all the performance of a Prism Sound product in a dedicated USB unit that handles line, microphone and instrument inputs with good foldback and monitoring capabilities, yet at a more accessible price tag. We are confident that customers using the new Atlas converter will agree that it sounds as good as it looks. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eh automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"mdio\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eMultichannel Digital Input and Output (MDIO) expansion\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAs well as the built-in inputs and outputs Atlas can accommodate other optional digital interfaces such as Pro Tools | HDX and AES3 multichannel options through its MDIO expansion slot. This flexibility makes Atlas perfectly suitable for the home, native or project studio as well as larger multitracking facilities by seamless, reliable integration with the industry standard platforms. The MDIO expansion means Atlas is future-proof allowing further digital interface options to be developed and available such as Thunderbolt (to be confirmed). \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"quality\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eNo-compromise, full Prism Sound audio quality\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAtlas makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Atlas is well-behaved both as a computer peripheral and an audio processor. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Atlas noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"interface\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eStandards compliant USB interface\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003ePrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Atlas uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ch2\u003eAtlas in Brief\u003c\/h2\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul class=\"featurelist\"\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#quality\"\u003eNo-compromise, full Prism Sound audio quality\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#interface\"\u003eDedicated USB interface\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#mdio\"\u003eMultichannel Digital I\/O (MDIO) expansion port\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#asio\"\u003eASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#asio\"\u003eDirectly compatible with CORE AUDIO on Mac OS X 10.4+\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eEight \"Prism Sound\" premium-quality AD and DA channels\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eConcurrent operation of ADAT and switchable S\/PDIF or AES3 ports\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eEight high-end integrated mic preamps (typ.-130dBu EIN)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMic pres have individually switchable phantom power and 20dB pads\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMS Matrix processing on mic inputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eTwo instrument inputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eRIAA Equalization on inputs 1 \u0026amp; 2\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003ePrism Sound \"Overkillers\" on every analogue channel to control transient overloads\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eFully-floating (isolated) balanced architecture for optimum noise rejection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMono or stereo input configurations\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eOutputs selectable between workstation bus or Atlas mixer\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#digital_mixer\"\u003eLow-latency \"console-quality\" digital mixer for foldback monitoring\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#digital_mixer\"\u003eFader, pan, cut, solo on every mixer channel\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eDual headphone outputs each with its own front-panel volume control\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eFront-panel master volume control and mute, assignable to selected channels\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eConfigurable for stereo, 5.1 or 7.1 or surround monitoring\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#src\"\u003eBuilt-in sample rate conversion (SRC) on S\/PDIF Inputs and Outputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#src\"\u003ePrism Sound 4-curve SNS noise shaping on digital outputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#jitter_rejection\"\u003eState-of-the-art clock generation with proprietary hybrid 2-stage DPLL\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas's eight analogue inputs support various capabilities. Atlas has four high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"digital_mixer\"\u003e\u003c\/a\u003e\u003c\/p\u003e\nX","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":492071025,"sku":"","price":3332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Atlas_Black.jpg?v=1620843525"},{"product_id":"apogee-symphony-i-o-mkii-thunderbolt-16x16-analog-i-o","title":"Apogee Symphony I\/O MKII 16x16SE Thunderbolt - special offer","description":"\u003cdiv\u003e\n\u003cdiv class=\"data item content\" aria-labelledby=\"tab-label-description\" id=\"description\" data-role=\"content\" role=\"tabpanel\" aria-hidden=\"false\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"BlockContent\"\u003e\n\u003cdiv class=\"ProductDetailsMain\"\u003e\n\u003cdiv id=\"imega-widget\"\u003e\n\u003cdiv id=\"imega-modal\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eApogee Symphony mkII 16x16 SE\u003c\/strong\u003e \u003cstrong\u003eis a 16-in, 16-out modular AD\/DA and Thunderbolt audio interface\u003c\/strong\u003e featuring Apogee's cutting-edge AD\/DA conversion technology and an intuitive touchscreen display.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEngineered to deliver premium sound quality, the Apogee Symphony mkII 16x16 SE serves as a cornerstone for audio recording, mixing, and mastering endeavours. Esteemed by engineers and producers worldwide, it consistently delivers exceptional audio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis modular AD\/DA interface offers extensive configurability and compatibility with Thunderbolt, Pro Tools, and Waves SoundGrid platforms. Additionally, two new modules can be incorporated to enhance analogue-to-digital and digital-to-analogue conversion. The newly integrated DA stage boasts a high-current, low-impedance circuit, guaranteeing unwavering performance under various loads and preserving fidelity and impact. Equipped with the latest ESS Sabre32 32-bit Hyperstream DAC and a Time Domain Jitter eliminator, it achieves impressively low THD+N, resulting in an expansive dynamic range of up to 129dB, ensuring genuine audio fidelity and transparency.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA brand-new front panel, featuring a responsive touchscreen grants effortless access to essential I\/O functions and monitoring capabilities. The high-resolution TFT display furnishes comprehensive visual feedback, crucial for monitoring and recording up to 64 channels of I\/O, including signal levels, polarity, muting, phantom power, and soft limit settings.\u003c\/p\u003e\n\u003cbr\u003e\u003chr\u003e\n\u003cbr class=\"product-subname\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-description\"\u003e\n\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"hr hr-default  avia-builder-el-9  el_after_av_hr  el_before_av_hr\"\u003e\u003cspan class=\"hr-inner\"\u003e\u003cspan class=\"hr-inner-style\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":16389712516,"sku":"","price":4075.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/SymphonyIO-Mk-II-Front-View-2000_734cfb4c-36d3-4908-a1f4-767cb07a949d.png?v=1620841600"},{"product_id":"symphony-i-o-mkii-thunderbolt-chassis-with-2x6-analog-i-o-8x8-optical-aes-i-o-2-ch-s-pdif","title":"Apogee Symphony I\/O MKII 2x6 SE Thunderbolt","description":"\u003cdiv style=\"border-radius: 0px;\" class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-9  el_after_av_hr  el_before_av_one_half\"\u003e\n\u003csection class=\"av_textblock_section\" itemtype=\"https:\/\/schema.org\/CreativeWork\" itemscope=\"itemscope\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003eSpecial edition of Symphony I\/O MkII digital audio converter, designed specifically for mastering engineers with increased dynamic range and lower THD+N \u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\n\u003cdiv aria-hidden=\"false\" role=\"tabpanel\" data-role=\"content\" id=\"description\" aria-labelledby=\"tab-label-description\" class=\"data item content\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eApogee Symphony I\/O MkII 2x6 SE\u003c\/strong\u003e is a 2-in 6-out, modular AD\/DA and thunderbolt audio interface using Apogee’s latest mastering-grade AD\/DA conversion and intuitive touchscreen display.\u003c\/p\u003e\n\u003cp\u003eThe Apogee Symphony I\/O MkII is designed to deliver high-quality and professional sound for audio recording, mixing and mastering applications and has been used to provide outstanding audio to engineers and producers worldwide.\u003c\/p\u003e\n\u003cp\u003eThis modular AD\/DA is highly configurable and comes with connectivity to three platforms, Thunderbolt, Pro Tools and Waves SoundGrid.  Two new modules can also be used to provide improved analogue to digital and digital to analogue conversion.The new DA stage features a high current and low impedance circuit, which ensure no decrease in performance regardless of the load, preserving fidelity and punch. Using the latest ESS Sabre32 32-bit Hyperstream, DAC with Time Domain Jitter eliminator provides impressively low THD+N resulting in a dramatic dynamic range of up to 131dB. It also provides true audio fidelity and transparency.\u003c\/p\u003e\n\u003cp\u003eA brand new front panel with touch screen provide access to essential I\/O functionality and monitoring levels as well as mic pre gain or a way to calibrate your Symphony I\/O mkII. The high resolution TFT display provides all the visual feedback critical for recording and monitoring of up to 64 channels of I\/O as well as signal levels, polarity, muting, phantom power and soft limit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApogee Symphony I\/O MkII Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBest AD\/DA conversion of any Thunderbolt™ audio interface\u003c\/li\u003e\n\u003cli\u003eIncludes 2x6 I\/O card\u003c\/li\u003e\n\u003cli\u003eBest per-channel value of any interface in its category\u003c\/li\u003e\n\u003cli\u003eChoice of Thunderbolt, Pro Tools® HD (Mac\/PC) or Waves SoundGrid® connectivity\u003c\/li\u003e\n\u003cli\u003eUltra-low latency performance\u003c\/li\u003e\n\u003cli\u003eIntuitive touchscreen display and front panel control\u003c\/li\u003e\n\u003cli\u003eDesigned in California, Built in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"border-radius: 0px;\" class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-11  el_after_av_one_half  el_before_av_one_half\"\u003e\n\u003csection class=\"av_textblock_section\" itemtype=\"https:\/\/schema.org\/CreativeWork\" itemscope=\"itemscope\"\u003e\n\u003cdiv class=\"avia_textblock\" itemprop=\"text\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":16390024004,"sku":"","price":3479.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/SymphonyIO-Mk-II-Front-View-2000_84c360f7-6981-4cf1-bf7d-424c6a03b932.png?v=1620841605"},{"product_id":"grace-design-m108-8-channel-pre-amp-adc-daw-front-end","title":"Grace Design M108 - 8 Channel Pre-Amp \u0026 ADC - DAW Front End","description":"\u003cp class=\"h5\"\u003eDAW system front end \/ 8X2 USB interface \/ remote recording \/ high-end sound reinforcement\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A\/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment.\u003c\/p\u003e\n\u003cp class=\"h5\"\u003eUnrivaled Performance\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBased on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, transipedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A\/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer.\u003c\/p\u003e\n\u003cp class=\"h5\"\u003eSimple Operation\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu.\u003c\/p\u003e\n\u003cp class=\"h5\"\u003ePowerful Configuration\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOut of the box, the m108 is ready to go as a stand alone mic preamp \/ ADC. With integrated serial or MIDI control, the m108 can be confi gured in large channel-count remote systems, with control from our existing m802 hardware remote control unit, from Protools™, or our forthcoming m108 control computer utility. And an optional DANTE™ interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108’s to an existing m802 system.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• 8 channels of balanced analog preamp outputs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• 8 channels of transparent, musical mic preamplier\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Wide gain range: -8 to 74dB\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Ribbon mic mode\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• 8 channels of 192kHz ADC outputs via AES, ADAT (4ch SMUX) and USB Class 2\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• External Word clock in and out\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Reference DAC and headphone amplier for low-latency monitoring of channel pairs or USB playback from a computer\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Channel 1 \u0026amp; 2 HI-Z inputs on front panel\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• High contrast, wide viewing angle OLED display for all system parameters and setup menu\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Combination RS 485\/422 serial \/ MIDI ports for control from existing m802 RCU or Protools™\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• RJ45 Ethernet port for network control\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Expansion slot for optional Audinate \/ DANTE™ network audio card\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Cooling fan for reliable operation in the harshest environments\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Built in 100-240VAC universal AC power supply\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• 5 year transferrable warranty\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Made in the USA\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":18765667012,"sku":"","price":3479.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/m108_detail2-1.jpg?v=1620843536"},{"product_id":"symphony-i-o-mkii-thunderbolt-chassis-only","title":"Apogee Symphony I\/O MkII Chassis Only Thunderbolt","description":"\u003cdiv class=\"Collapsible__Inner\" style=\"overflow: visible; height: auto;\" data-mce-fragment=\"1\" data-mce-style=\"overflow: visible; height: auto;\"\u003e\n\u003cdiv class=\"Collapsible__Content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"Rte\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eApogee Symphony I\/O MkII\u003c\/b\u003e is a multi-channel, modular AD\/DA and thunderbolt audio interface using Apogee’s latest AD\/DA conversion and intuitive touchscreen display.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Apogee Symphony I\/O MkII is designed to deliver high-quality and professional sound for audio recording, mixing and mastering applications and has been used to provide outstanding audio to engineers and producers worldwide.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis modular AD\/DA is highly configurable and comes with connectivity to three platforms, Thunderbolt, Pro Tools and Waves SoundGrid.  Two new modules can also be used to provide improved analogue to digital and digital to analogue conversion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith three modules AD\/DA modules and and fourth Mic preamp module, the Symphony can be configured in many ways to suit your requirements. A option card slot also offers future proof applications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new Apogee Symphony I\/O 8X8 MkII and Apogee Symphony I\/O 16x16 MkII modules providing a streamlined and more transparent analogue stage with lower distortion. The new DA stage features a high current and low impedance circuit, which ensure no decrease in performance regardless of the load, preserving fidelity and punch. Using the latest ESS Sabre32 32-bit Hyperstream, DAC with Time Domain Jitter eliminator provides impressively low THD+N resulting in a dramatic dynamic range of up to 129dB. It also provides true audio fidelity and transparency.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA brand new front panel with touch screen provide access to essential I\/O functionality and monitoring levels as well as mic pre gain or a way to calibrate your Symphony I\/O mkII. The high resolution TFT display provides all the visual feedback critical for recording and monitoring of up to 64 channels of I\/O as well as signal levels, polarity, muting, phantom power and soft limit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eApogee Symphony I\/O MkII Main Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBest AD\/DA conversion of any Thunderbolt™ audio interface\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUp to 32 channels of modular analog I\/O with optional 8 mic preamps\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBest per-channel value of any interface in its category\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChoice of Thunderbolt, Pro Tools® HD (Mac\/PC) or Waves SoundGrid® connectivity\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUltra-low latency performance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntuitive touchscreen display and front panel control\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDesigned in California, Built in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":22144196676,"sku":"","price":2429.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Symphony_mk2_TB_Chassis_only.jpg?v=1620843679"},{"product_id":"rme-ufx","title":"RME UFX+","description":"\u003cdiv id=\"cnp\"\u003eRME Fireface UFX+; 188 Channel USB \u0026amp; Thunderbolt Audio Interface; up to 24 bit \/ 192 kHz, 94 input \u0026amp; 94 output channels; Connections: 12x analog I\/O; 4x mic\/instrument preamps digitally controlled; 1 x AES\/EBU I\/O; 2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x S\/PDIF optical I\/O); 2 x MADI I\/O (optical \u0026amp; coaxial); Word Clock I\/O; 2 x thomann MIDI I\/O; 1 x Thunderbolt; 1 x USB 3.0; includes TotalMix FX software; integrated monitor controller; SteadyClock; DIGICheck; stand-alone operation with setup recall; colour display; Win 7\/8\/10 \u0026amp; Mac OSX 10.6 or higher; Dimensions: 19\"\/1U\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":29828539972,"sku":"","price":2211.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/UFX.jpg?v=1620843687"},{"product_id":"apogee-electronics-duet","title":"Apogee Electronics Duet 3 - special offer","description":"\u003cdiv class=\"template-page content  av-content-full alpha units\"\u003e\n\u003cdiv class=\"post-entry post-entry-type-page post-entry-261\"\u003e\n\u003cdiv class=\"entry-content-wrapper clearfix\"\u003e\n\u003cdiv style=\"padding-bottom: 10px; font-size: 24px;\" class=\"av-special-heading av-special-heading-h2  blockquote modern-quote  avia-builder-el-6  el_before_av_one_half  avia-builder-el-first   av-inherit-size\"\u003e\n\u003ch6 class=\"av-special-heading-tag\" itemprop=\"headline\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe all-new Duet 3 brings next-generation Apogee performance and features to a beautiful, ultra-low profile design. Duet 3 includes on-board hardware DSP that powers the Symphony ECS Channel Strip for zero-latency recording with FX. Tuned by Bob Clearmountain, the ECS Channel Strip includes presets custom crafted by the legendary mixer so you can dial in a pro recording sound instantly. Ideal for music creation, voice recording, streaming and even gaming, you can use Duet 3 with your Mac, iPad, iPhone or Windows workstation in your studio or on the go. Take your Duet 3 to the next level with the sleek Duet Dock accessory for the ultimate ergonomic desktop experience.\u003c\/span\u003e\u003c\/h6\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-38c04704\" data-id=\"38c04704\" data-element_type=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-2d66581c elementor-widget elementor-widget-heading\" data-id=\"2d66581c\" data-element_type=\"widget\" data-widget_type=\"heading.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\" data-mce-fragment=\"1\"\u003eLegendary AD\/DA Converters\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-662a0131 elementor-widget elementor-widget-text-editor\" data-id=\"662a0131\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"elementor-text-editor elementor-clearfix\" data-mce-fragment=\"1\"\u003eWith two inputs and four outputs of legendary Apogee AD\/DA conversion, plus two world-class preamps, Duet is the perfect partner for your home and mobile studio. Connect microphones, guitars, keyboard and line level devices to capture every detail. Monitor and mix with the full depth and dimension of your sound through two truly-balanced, line-level analog outputs for speakers. And, power your headphones with a zero-ohm headphone output for a dedicated headphone mix.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":32805698308,"sku":"","price":473.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Apogee-Duet-3-3Q-Right-Wide-9Y1A8805-1000-p6098etd1kjzqcqqnrh2sqzobfogbxqmttibrc759e.png?v=1675343767"},{"product_id":"dangerous-music-convert-8","title":"Dangerous Music Convert 8","description":"\u003cdiv\u003e\n\u003ch2\u003eNext-Generation Converter\u003c\/h2\u003e\n\u003cp\u003eDangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor's onboard digital-to-analog converter (DAC) swiftly became the industry reference. We've been asked over the years to build a stand alone DAC, and they're finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The CONVERT-2 goes beyond transparency - you won't just hear everything, you'll hear it beautifully.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eIt's All About Implementation\u003c\/h3\u003e\n\u003cp\u003eWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter's components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart - for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFine Tuning The Analogue Side\u003c\/h3\u003e\n\u003cp\u003eA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris's powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When we set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePerfecting The Digital Side\u003c\/h3\u003e\n\u003cp\u003eWe brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT's JetPLL ultra-low jitter clocking technology until it surpassed the JET's stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2's superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDetailed Information \u0026amp; Delightful Inspiration\u003c\/h3\u003e\n\u003cp\u003eReaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you're choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eAn Unrivaled Feature Set\u003c\/h3\u003e\n\u003cp\u003eOur design philosophy includes a strict demand that our equipment be elegant and easy to use, and the CONVERT-2 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember - just clearly labeled single-function buttons and one volume knob. However, the elegance of the CONVERT’s front panel belies its rich feature set, which brings a level of versatility not found in any other DAC.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated Volume Control With Hard-Bypass\u003c\/strong\u003e - If you ever need to bring down the output level of the CONVERT-2, just turn the knob. When fully up, the volume control is bypassed for feeding a dedicated monitor controller (such as our Monitor ST). When engaged, the volume control lets you achieve exact output levels for many applications, a useful one being sending the analog outputs directly to a set of speakers and using the CONVERT-2 as a monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Input Calibration\u003c\/strong\u003e - With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the CONVERT-2 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who's ever fumbled around behind a rack with a \"tweeker tool\" while a second person watches an external meter knows the special value of our front-panel calibration buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Sample Rate Detection\u003c\/strong\u003e - Simply select \"Auto\" on the front panel and the CONVERT-2 will match its sample rate to the input signal. If you've ever started working at the wrong sample rate (we’ve all done it!), you’ll know why this feature can be so important. If you’re swapping among different DAW sessions at different sample rates, the CONVERT will follow your every move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Fly Input Switching\u003c\/strong\u003e - Unique to the CONVERT, you can now swap between multiple digital inputs on the fly from the front panel buttons. No more digging into elaborate menus and system settings just to listen to iTunes, no more rerouting software drivers just to hear a different output. And because the CONVERT can automatically lock to the incoming signal’s sample rate, you don’t need to even think about sample rates as you switch between inputs. Five digital inputs include USB, AES\/SPDIF-1, AES\/SPDIF-2, ADAT and Optical SPDIF (TOSLINK).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Uplink\u003c\/strong\u003e - With its unique USB Uplink technology, you can route the CONVERT's AES\/SPDIF-2 signal back up through the USB cable and into your DAW session for printing. Additionally, you can easily switch between monitoring the original digital signal or the Uplinked signal, which means you can add finalizing plugins to your DAW’s return track and quickly flip between the processed and unprocessed stereo signal – especially helpful whether mixing or mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom Metering\u003c\/strong\u003e - Our premium custom crafted digital meter gives you peak-over-average metering, typically found in expensive outboard mastering meters. The meter automatically calibrates to the chosen input reference level, giving you consistent visuals on every project. Our “3-word-over” indicator tells you when three consecutive samples have clipped, meaning you’re a breath away from violating industry standards for CD reproduction and are about to generate clipping distortion that would be audible in any digital file.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse The CONVERT As Your Master Clock\u003c\/strong\u003e - It's no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT's customised JetPLL ultra-low jitter technology is winning shootouts again and again, sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT’s cutting-edge digital technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor ST Connectivity\u003c\/strong\u003e - Simply connect the CONVERT-2 to your Monitor ST to bring remote control of the CONVERT’s digital input switching to your fingertips right from the ST Remote. By incorporating the CONVERT into your existing Monitor ST rig, you’re seamlessly adding today’s best DAC to your monitoring system.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSacrifice Nothing.\u003c\/h3\u003e\n\u003cp\u003eIf you're ready for the world's most articulate, open and natural sounding dedicated stereo DAC, The CONVERT-2 will deliver the beautiful truth of all your digital signals into the analog realm without ever tiring you out. Contact a dealer to hear the difference and we're pretty sure you’ll become a CONVERT.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":33573719108,"sku":"44-0023","price":3200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/convert-8-l-product-photo-750x449.png?v=1620843770"},{"product_id":"rme-adi-2-pro","title":"RME ADI-2 Pro","description":"\u003cdiv id=\"cnp\"\u003e\n\u003ch2 class=\"prod\"\u003eHigh-end USB AD\/DA converter and headphone amplifier\u003c\/h2\u003e\n\u003cul class=\"prod-features\"\u003e\n\u003cli\u003e\u003cspan\u003eSample frequencies up to 768 kHz (PCM)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDSD playback and recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2 Analog inputs  \/ 4 analog outputs: XLR and TS jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2 Powerful headphone outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAES\/EBU in\/out (XLR)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSPDIF in\/out (coaxial)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eADAT or SPDIF in\/out (optical)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntegrated sample rate converter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSafety concept and overload detection for headphones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalanced Mode and binaural crossfeed for convincing loudspeaker simulation via headphones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable Bass\/Treble controls and Loudness function\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelectable AD\/DA filters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteadyClock III technology\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHigh-performance DSP for error-free calculation of all audio data\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eParametric 5-band EQ and Low Cut that can be separately adjusted for the left and right channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLevel meter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower-, status-, volume-, and gain indicators\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e30-Band analyzer in DIGICheck technology\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eChannel status info screen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePhase, width, mono, M\/S processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eComplex discrete reference level switching via relay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll settings can be saved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudiophile PCB and circuit design with carefully selected components\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFPGA based firmware, update via USB possible\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUSB 2.0 (UAC 2.0 class compliant for iOS devices)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSystem requirements: Windows 7 or later, Apple OSX 10.6 or later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesign: 9.5\"\/ 1U\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncl. CD-ROM driver, manual, breakout cable for AES\/EBU and S\/PDIF coaxial and external,  lockable power supply\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33708305092,"sku":"","price":1360.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/adi-2_pro.jpg?v=1620843790"},{"product_id":"rme-ufx-2","title":"RME UFX 2","description":"\u003cdiv id=\"cnp\"\u003e\n\u003ch2 class=\"prod\"\u003eUSB \/ FireWire Interface\u003c\/h2\u003e\n\u003cul class=\"prod-features\"\u003e\n\u003cli\u003e\u003cspan\u003eUp to 192 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e30 input \/ 30 output channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTotalMix FX software\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntegrated monitor controller\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteadyClock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDIGICheck\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStand-alone operation with setup recall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColour display at the front\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStyle: 19\", 1U\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFor WIN XP SP2 \/ Vista \/ Win 7 \/ INTEL MAC OSX from 10.5\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"prod\"\u003e\u003cstrong\u003eConnections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"prod-features\"\u003e\n\u003cli\u003e\u003cspan\u003e12 Analogue inputs (1-8 jack balanced, 9-12 XLR \/ jack combi-jack balanced), 4x Mic \/ Instrument preamp (digitally controlled) with 48V phantom power can be  switched individually\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e12 analog outputs (1-2 Main XLR balanced, output 3-8 jack balanced, 9\/10 + 11\/12 stereo)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAES \/ EBU I \/ O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2 ADAT I \/ O (or 1 x ADAT I \/ O plus 1x SPDIF I \/ O optical)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWordclock I \/ O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2 MIDI I \/ O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFireWire 400\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUSB 2.0\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33708366404,"sku":"","price":1659.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/ufx_2_e93e5f55-e91b-4045-9830-f95583f65bed.jpg?v=1620843791"},{"product_id":"lynx-hilo-lt-tb-thunderbolt-card-bundle","title":"Lynx Hilo LT-TB Thunderbolt Card Bundle","description":"\u003cp\u003e\u003cb\u003eLynx Reengineers the two-channel converter format with innovative features and control SHIPS WITH PREFITTED LT-TB THUNDERBOLT CARD\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eTHE HILO REMOTE APP FOR THE iPAD IS NOW AVAILABLE FREE FROM iTUNES\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology is proud to present the Hilo Reference A\/D D\/A Converter System. With the pristine, open, transparent audio quality for which Lynx is known, Hilo (pronounced HE-low) provides two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier in a compact half-rack size. A first for the two-channel pro converter market, Hilo’s innovative 480 x 272 touch-screen provides a flexible and intuitive interface that can adapt to a particular application and be easily upgraded with enhancements and new features. Front panel controls support extensive signal routing and mixing, sample rate selection, clock source options, levels, metering and diagnostic features.\u003c\/p\u003e\n\u003cp\u003eHilo completely redefines and evolves the category of the two channel converter. Of utmost importance is the audio signal quality. The completely new design of the analog stages and converter topology for Hilo break new ground in terms of lowering distortion and noise while maintaining transparency for A\/D and D\/A conversion. Beyond that, Hilo offers extensive I\/O capabilities and utilizes the latest FPGA technology with vast resources for control, routing, and signal processing capabilities. Also in development are diagnostic and analysis tools for Hilo. The LCD screen is a natural interface for these functions.\u003c\/p\u003e\n\u003cp\u003eThe digital or analog inputs can be routed to three separate analog outputs, Line Output (with 8 trim settings), Monitor Output, and Headphone Output. Each of these output pairs has its own dedicated DACs, allowing each to offer a unique mix. The Monitor and Headphone Outputs have volume controls, accessible via faders on the touch-screen or the single knob on the front (offering control in ½ dB increments). Another innovation, the Headphone section has its own dedicated D\/A converter. This supports the creation of 32-channel headphone mixes independent of the main and monitor outputs, as well as providing specifications that rival those of dedicated headphone amps costing $1500 and more.\u003c\/p\u003e\n\u003cp\u003eThe digital section offers a wide range of inputs. AES\/EBU inputs and outputs have transformer isolated balanced XLR connectors. S\/PDIF input and output are available via transformer-coupled coax or optical (TOSLINK) connections. The Optical ports can also be used for up to eight ADAT channels. The ADAT input and output channels are completely independent from the AES\/EBU or S\/PDIF coax channels. The Lynx LT-USB (USB 2.0) or LT-TB (Thunderbolt) LSlot accessory is also included, for computer connectivity. The LT-HD for Pro Tools HD connectivity is also enabled. Lynx’s low jitter SynchroLock word clock is included, with Word Clock in and out connections available.\u003c\/p\u003e\n\u003cp\u003eIn total, Hilo has 12 total inputs, 16 total outputs plus 32 channels possible via its LSlot port. The unit’s FPGA powers its internal 32-channel mixer, which allows Hilo to offer the most versatile I\/O and routing in the two channel converter genre.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the concentrated and intricate back panel, Hilo’s front panel is elegant in its simplicity. It has a power switch, headphone jack, multipurpose control and a 480 x 272 pixel high resolution LCD touchscreen. This high-resolution screen does a lot more than simply replace the buttons on the front panel of most other converters. Of course it handles the basic settings and routing functions, clocking and level settings.\u003c\/p\u003e\n\u003cp\u003eA second meter screen shows just two larger bar-graph style stereo bar meters. Any input or output set can be assigned to each meter. In addition to bar-graph meters common on most converters, Hilo’s touchscreen is able to show more traditional metering types, such as old style VU meters. Firmware version 7 added a powerful metering addition, a stereo third octave real time analyzer. As with all other Lynx products, Hilo is FPGA based, meaning new features, capabilities and graphics can be added at any time with a simple download.\u003c\/p\u003e\n\u003cp\u003eCrucial for mastering and critical listening, Hilo offers world class, verifiable specifications. Every unit Lynx ships will meet or exceed these published specs:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE IN A\/D PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -114dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A-weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.01 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -140 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE OUT D\/A PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -109dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A- weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.02 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -135 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003eHilo can be powered by standard 110-230V AC power or remotely with 9-18 volts DC, allowing the use of standard video battery packs or even auto cigarette lighter connections. Hilo measures 8.50 x 3.25 x 10.00 inches, weighs 6.75 pounds and is available with a silver or black front panel\/knob option. Now available in Silver and Black, the US suggested retail price is $2495 with the LT-USB and $2795 with the LT-TB.\u003c\/p\u003e\n\u003cp\u003eIt is impossible to compare Hilo to other two channel AD and DA converters. In fact it is a unique product that is, at first, a little difficult to get your head around. Basically, Hilo replaces three different, critical components:\u003c\/p\u003e\n\u003cp\u003e#1 Hilo is an analog to digital converter\u003c\/p\u003e\n\u003cp\u003e#2 It is also a digital to analog converter. With most companies, these are two separate units.\u003c\/p\u003e\n\u003cp\u003e#3 It is an independent headphone amplifier. The headphone section has its own, dedicated D\/A converter. This provides two key benefits. First this allows Hilo to offer a headphone output with exceptional clarity and noise specifications. Second, due to Hilo’s internal 32 channel mixer, any input set can be routed to the headphone stereo output. This means that a mix that is entirely different from the analog outputs and monitors can be applied to the headphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHilo is a 4 in one unit – A\/D converter, D\/A converter, Monitor Controller with a dedicated D\/A converter and a Headphone amplifier with a dedicated D\/A converter.\u003c\/li\u003e\n\u003cli\u003eThere are three unique sets of analog outputs: main analog output, monitor output (with analog volume) and headphone output (with analog volume)\u003c\/li\u003e\n\u003cli\u003eThe flexible digital I\/O section offers the choice of AES\/EBU, SPDIF by coax or TOSLINK optical, or ADAT formats\u003c\/li\u003e\n\u003cli\u003eThe innovative design of the analog stage and converter topology allow ultra low noise and distortion specifications\u003c\/li\u003e\n\u003cli\u003eA 480 x 272 pixel LCD touch screen for operation and monitoring\u003c\/li\u003e\n\u003cli\u003eA 32 channel internal mixer in the updatable FPGA\u003c\/li\u003e\n\u003cli\u003e12 total inputs, 16 total outputs plus 32 channels possible via LSlot.\u003c\/li\u003e\n\u003cli\u003eAC powered with Battery operation available\u003c\/li\u003e\n\u003cli\u003eOpen ended software for future measurement, metering, diagnostic and personalization features using the touch screen LCD.\u003c\/li\u003e\n\u003cli\u003eSize - 8.50” wide x 3.25” tall x 10.00” deep (half rack, two spaces)\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLynx LT-TB Thunderbolt™ LSlot Interface for Lynx Hilo and Aurora Converters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology announces the LT-TB Thunderbolt LSlot interface for its Aurora and Hilo converters. The LT-TB is a two-port Thunderbolt expansion card that supports daisy-chaining Aurora and Hilo converters and any other certified Thunderbolt device on both Apple and Windows computers. The LT-TB and accompanying Aurora and Hilo models are the first Thunderbolt audio devices certified for Windows as well as Mac.\u003c\/p\u003e\n\u003cp\u003eThe LT-TB LSlot card can be installed into any existing Hilo or Aurora with an easy and free firmware update. In addition, Lynx is making Thunderbolt equipped Aurora and Hilo models available at the same time. These models are:\u003c\/p\u003e\n\u003cp\u003e• Hilo-TB in Black and Silver\u003c\/p\u003e\n\u003cp\u003e• Aurora 16-TB\u003c\/p\u003e\n\u003cp\u003e• Aurora 16-VTTB (variable trim model)\u003c\/p\u003e\n\u003cp\u003e• Aurora 8-TB\u003c\/p\u003e\n\u003cp\u003eThe LT-TB, in development for over a year, uses Intel’s Cactus Ridge second-generation Thunderbolt controller. This device allows for a more robust design electrically. Similar to other Lynx products, LT-TB incorporates an FPGA for audio mixing and control functions that can be easily updated in the field.\u003c\/p\u003e\n\u003cp\u003eMonths of in-house testing along with support from Apple and Intel assure that LT-TB works well with any other certified Thunderbolt product on the market.\u003c\/p\u003e\n\u003cp\u003eWhereas some earlier Thunderbolt equipped converters are limited to two units and 32 analog channels, the LT-TB can be used in a chain of up to 6 Aurora converters for up to 96 analog channels, plus 96 digital channels on one Thunderbolt port. So theoretically, the upcoming 6 port Mac Pro could deliver up to 1,152 channels.\u003c\/p\u003e\n\u003cp\u003eThe Thunderbolt protocol allows up to six devices and one display to be connected to the computer on a single Thunderbolt port. So in addition to Lynx converters, you can have external drives, displays, expansion chassis and so on. The LT-TB has two Thunderbolt ports, which allows this daisy chaining of devices.\u003c\/p\u003e\n\u003cp\u003eOne of the other nice features of the LT-TB and other Thunderbolt devices is the ability to plug, unplug and hot-plug them. So you can easily bring in an additional Aurora or Hilo or other Thunderbolt device without needing to reinstall drivers or reset anything. It’s all automatic.\u003c\/p\u003e\n\u003cp\u003eAccording to Intel, the developer of Thunderbolt, “Thunderbolt delivers unparalleled performance, flexibility and simplicity to personal computing.” said Jason Ziller, Intel’s director of Thunderbolt Marketing, “Products like the Lynx LT-TB LSlot interface help highlight what Thunderbolt makes possible.”\u003c\/p\u003e\n\u003cp\u003eThunderbolt technology is the fastest connection to your PC at 10Gbs – in each direction, and at the same time. This is twice the speed of USB 3.0. Thunderbolt provides flexibility and simplicity by connecting up to six data and display devices in a daisy-chain.\u003c\/p\u003e\n\u003cp\u003eThe Lynx LT-TB, Aurora-8 TB, Aurora 16-TB, Aurora 16-VTTB and Hilo-TB (Silver or Black) are now available.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":33833230916,"sku":"","price":3400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Hilo-start.jpg?v=1620843792"},{"product_id":"lynx-hilo-ad-da-with-dante-card","title":"Lynx Hilo AD\/DA with Dante Card","description":"\u003cp\u003e\u003cb\u003eLynx Hilo AD\/DA \u0026amp; LT-DANTE Dante™ LSlot Interface for Lynx Hilo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLynx Reengineers the two-channel converter format with innovative features and control \u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eTHE HILO REMOTE APP FOR THE iPAD IS NOW AVAILABLE FREE FROM iTUNES\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology is proud to present the Hilo Reference A\/D D\/A Converter System. With the pristine, open, transparent audio quality for which Lynx is known, Hilo (pronounced HE-low) provides two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier in a compact half-rack size. A first for the two-channel pro converter market, Hilo’s innovative 480 x 272 touch-screen provides a flexible and intuitive interface that can adapt to a particular application and be easily upgraded with enhancements and new features. Front panel controls support extensive signal routing and mixing, sample rate selection, clock source options, levels, metering and diagnostic features.\u003c\/p\u003e\n\u003cp\u003eHilo completely redefines and evolves the category of the two channel converter. Of utmost importance is the audio signal quality. The completely new design of the analog stages and converter topology for Hilo break new ground in terms of lowering distortion and noise while maintaining transparency for A\/D and D\/A conversion. Beyond that, Hilo offers extensive I\/O capabilities and utilizes the latest FPGA technology with vast resources for control, routing, and signal processing capabilities. Also in development are diagnostic and analysis tools for Hilo. The LCD screen is a natural interface for these functions.\u003c\/p\u003e\n\u003cp\u003eThe digital or analog inputs can be routed to three separate analog outputs, Line Output (with 8 trim settings), Monitor Output, and Headphone Output. Each of these output pairs has its own dedicated DACs, allowing each to offer a unique mix. The Monitor and Headphone Outputs have volume controls, accessible via faders on the touch-screen or the single knob on the front (offering control in ½ dB increments). Another innovation, the Headphone section has its own dedicated D\/A converter. This supports the creation of 32-channel headphone mixes independent of the main and monitor outputs, as well as providing specifications that rival those of dedicated headphone amps costing $1500 and more.\u003c\/p\u003e\n\u003cp\u003eThe digital section offers a wide range of inputs. AES\/EBU inputs and outputs have transformer isolated balanced XLR connectors. S\/PDIF input and output are available via transformer-coupled coax or optical (TOSLINK) connections. The Optical ports can also be used for up to eight ADAT channels. The ADAT input and output channels are completely independent from the AES\/EBU or S\/PDIF coax channels. The Lynx LT-USB (USB 2.0) or LT-TB (Thunderbolt) LSlot accessory is also included, for computer connectivity. The LT-HD for Pro Tools HD connectivity is also enabled. Lynx’s low jitter SynchroLock word clock is included, with Word Clock in and out connections available.\u003c\/p\u003e\n\u003cp\u003eIn total, Hilo has 12 total inputs, 16 total outputs plus 32 channels possible via its LSlot port. The unit’s FPGA powers its internal 32-channel mixer, which allows Hilo to offer the most versatile I\/O and routing in the two channel converter genre.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the concentrated and intricate back panel, Hilo’s front panel is elegant in its simplicity. It has a power switch, headphone jack, multipurpose control and a 480 x 272 pixel high resolution LCD touchscreen. This high-resolution screen does a lot more than simply replace the buttons on the front panel of most other converters. Of course it handles the basic settings and routing functions, clocking and level settings.\u003c\/p\u003e\n\u003cp\u003eA second meter screen shows just two larger bar-graph style stereo bar meters. Any input or output set can be assigned to each meter. In addition to bar-graph meters common on most converters, Hilo’s touchscreen is able to show more traditional metering types, such as old style VU meters. Firmware version 7 added a powerful metering addition, a stereo third octave real time analyzer. As with all other Lynx products, Hilo is FPGA based, meaning new features, capabilities and graphics can be added at any time with a simple download.\u003c\/p\u003e\n\u003cp\u003eCrucial for mastering and critical listening, Hilo offers world class, verifiable specifications. Every unit Lynx ships will meet or exceed these published specs:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE IN A\/D PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -114dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A-weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.01 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -140 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLINE OUT D\/A PERFORMANCE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTHD+N -109dB @1kHz, -1dBFS, 20kHz filter\u003c\/p\u003e\n\u003cp\u003eDynamic Range 121 dB, A- weighted, -60dBFS signal method\u003c\/p\u003e\n\u003cp\u003eFrequency Resp. ± 0.02 dB, 20 – 20kHz\u003c\/p\u003e\n\u003cp\u003eCrosstalk -135 dB maximum @ 1kHz, -1dBFS signal\u003c\/p\u003e\n\u003cp\u003eHilo can be powered by standard 110-230V AC power or remotely with 9-18 volts DC, allowing the use of standard video battery packs or even auto cigarette lighter connections. Hilo measures 8.50 x 3.25 x 10.00 inches, weighs 6.75 pounds and is available with a silver or black front panel\/knob option. Now available in Silver and Black, the US suggested retail price is $2495 with the LT-USB and $2795 with the LT-TB.\u003c\/p\u003e\n\u003cp\u003eIt is impossible to compare Hilo to other two channel AD and DA converters. In fact it is a unique product that is, at first, a little difficult to get your head around. Basically, Hilo replaces three different, critical components:\u003c\/p\u003e\n\u003cp\u003e#1 Hilo is an analog to digital converter\u003c\/p\u003e\n\u003cp\u003e#2 It is also a digital to analog converter. With most companies, these are two separate units.\u003c\/p\u003e\n\u003cp\u003e#3 It is an independent headphone amplifier. The headphone section has its own, dedicated D\/A converter. This provides two key benefits. First this allows Hilo to offer a headphone output with exceptional clarity and noise specifications. Second, due to Hilo’s internal 32 channel mixer, any input set can be routed to the headphone stereo output. This means that a mix that is entirely different from the analog outputs and monitors can be applied to the headphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHilo is a 4 in one unit – A\/D converter, D\/A converter, Monitor Controller with a dedicated D\/A converter and a Headphone amplifier with a dedicated D\/A converter.\u003c\/li\u003e\n\u003cli\u003eThere are three unique sets of analog outputs: main analog output, monitor output (with analog volume) and headphone output (with analog volume)\u003c\/li\u003e\n\u003cli\u003eThe flexible digital I\/O section offers the choice of AES\/EBU, SPDIF by coax or TOSLINK optical, or ADAT formats\u003c\/li\u003e\n\u003cli\u003eThe innovative design of the analog stage and converter topology allow ultra low noise and distortion specifications\u003c\/li\u003e\n\u003cli\u003eA 480 x 272 pixel LCD touch screen for operation and monitoring\u003c\/li\u003e\n\u003cli\u003eA 32 channel internal mixer in the updatable FPGA\u003c\/li\u003e\n\u003cli\u003e12 total inputs, 16 total outputs plus 32 channels possible via LSlot.\u003c\/li\u003e\n\u003cli\u003eAC powered with Battery operation available\u003c\/li\u003e\n\u003cli\u003eOpen ended software for future measurement, metering, diagnostic and personalization features using the touch screen LCD.\u003c\/li\u003e\n\u003cli\u003eSize - 8.50” wide x 3.25” tall x 10.00” deep (half rack, two spaces)\u003c\/li\u003e\n\u003cli\u003eWeight: 6.75 pounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLynx LT-DANTE Dante™ LSlot Interface for Lynx Hilo and Aurora Converters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology announces the LT-DANTE LSlot interface for Aurora and Hilo converters. The LT-DANTE is a two-port expansion card that supports the Dante audio networking standard adopted by a multitude of audio manufacturers for use in live, studio, broadcast and commercial installation applications.\u003c\/p\u003e\n\u003cp\u003eThe LT-DANTE LSlot card can be installed into any existing Hilo or Aurora with an easy and free firmware update. In addition, Lynx is making Dante-equipped Aurora and Hilo models available at the same time. These models are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHilo-DNT in Black and Silver\u003c\/li\u003e\n\u003cli\u003eAurora 16-DNT\u003c\/li\u003e\n\u003cli\u003eAurora 8-DNT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe LT-DANTE enables connectivity for the Aurora and the Hilo to Dante audio networks. Dante is a multi-channel audio networking solution developed by Audinate. The world’s leading professional audio manufacturers have adopted Dante, making it the standard for digital audio networking for recording, live, broadcast and commercial installations.\u003c\/p\u003e\n\u003cp\u003eDante audio networking utilizes standard IP networks to transmit high-quality, uncompressed audio with near-zero latency. It is the most economical, versatile, and easy-to-use audio networking solution and is scalable from simple installations to large-capacity networks running thousands of audio channels. The Hilo and Aurora are an obvious choice among integrators as their uncolored audio conversion provides the uncompressed high quality audio that Dante transmits over the network.\u003c\/p\u003e\n\u003cp\u003eDante allows users to replace multiple analog or multi-core cables with a single affordable Ethernet cable for transmitting high-quality multi-channel audio safely and reliably. Standard Gigabit routers can distribute signals throughout a facility.  With Dante software, the network can be easily expanded and reconfigured with just a few mouse clicks. Hundreds of Dante-enabled audio products are currently available.  The Lynx Aurora and Hilo converters have a proven track record in thousands of professional studios and audio production facilities around the world.  Lynx has long been the leader in offering options in connectivity, computer platform choice and proactive customer support. The LT-DANTE card adds to this legacy.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDante expansion card for Aurora and Hilo converters\u003c\/li\u003e\n\u003cli\u003eAllows for easy connectivity to a Dante audio network\u003c\/li\u003e\n\u003cli\u003eExtremely low latency\u003c\/li\u003e\n\u003cli\u003eUses standard and affordable CAT 5 and CAT 6 cables\u003c\/li\u003e\n\u003cli\u003eRoHS compliant\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured in the USA by Lynx Studio Technology\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHost Interface: Lynx proprietary LSlot™ Interface: 400 Mbps bi-directional\u003cbr\u003e Size: 3.0” H X 5.0” W X 0.75” D\u003cbr\u003e EMI Certifications: FCC and CE\u003cbr\u003e Shipping Weight: 1 pound\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":33836315844,"sku":"","price":3290.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Hilo-start_1e2cb4c2-cdc4-4b83-92d3-4943b86129f1.jpg?v=1620843793"},{"product_id":"lynx-aurora-8-lt-tb-thunderbolt-card-bundle","title":"Lynx Aurora 8 LT-TB Thunderbolt Card Bundle","description":"\u003cp\u003e\u003ci\u003e\u003cb\u003eAURORA 8TB WITH THUNDERBOLT CONNECTIVITY. NOW YOU CAN USE UP TO 6 AURORA CONVERTERS ON A SINGLE THUNDERBOLT PORT ON MAC OR PC. LYNX UNLEASHES THE POWER OF THUNDERBOLT.\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThe Aurora™ line of digital audio converters from Lynx Studio Technology offers unprecedented audio quality and control in single-rack space eight and sixteen channel models. The Aurora 8™ and Aurora 16™ feature 192 kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Extended functions in Aurora are accessible via computer with the Lynx AES16, AES16e and MIDI . The rear panel has Clock and MIDI In and Out connectors and an LSlot bay, for the optional use of other audio interfaces.\u003c\/p\u003e\n\u003cp\u003eSeveral interfaces allow Aurora to be used in a number of different configurations. \u003cb\u003eLT-HD \u003c\/b\u003eallows Aurora to be recognized by and controlled from an Avid® ProTools|HD® system. 16 channels of ADAT Lightpipe I\/O is made available with the \u003cb\u003eLT-ADAT\u003c\/b\u003e. \u003cb\u003eLT-MADI \u003c\/b\u003eallows up to four Aurora converters to send and receive up to 64 MADI channels. The \u003cb\u003eLT-USB \u003c\/b\u003eis a USB 2.0 device for up to 16 I\/O channels. Thunderbolt connectivity for both Mac and Windows computers is possible with the \u003cb\u003eLT-TB\u003c\/b\u003e. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers.\u003c\/p\u003e\n\u003cp\u003eAurora converters are preconfigured for three voltages. Aurora 115 volt models are available in the US, Canada, Mexico and Brazil. The 100 volt models are available in Japan only. 230 volt units are available throughout the rest of the world through authorized distributors and retailers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous 8 Channel Analog I\/O and 8 Channel AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e24 Bit \/ 192 kHz Mastering Quality A\/D and D\/A Conversion\u003c\/li\u003e\n\u003cli\u003e192 kHz AES\/EBU I\/O Supporting Single and Dual Wire Modes\u003c\/li\u003e\n\u003cli\u003eSingle Rack Space Configuration\u003c\/li\u003e\n\u003cli\u003eExtensive Remote Control Capability via Lynx AES16, AES16e, and MIDI\u003c\/li\u003e\n\u003cli\u003eOn-board 16 Channel Digital Mixer Provides Flexible I\/O Routing\u003c\/li\u003e\n\u003cli\u003eWord clock I\/O with Lynx SynchroLock™ Sample Clock Technology\u003c\/li\u003e\n\u003cli\u003eDigital I\/O DB-25 connectors follow Yamaha pinout protocol\u003c\/li\u003e\n\u003cli\u003eAnalog I\/O DB-25 connectors follow Tascam pinout protocol\u003c\/li\u003e\n\u003cli\u003eRoHS compliant\u003c\/li\u003e\n\u003cli\u003eAvailable in 100V, 115V and 230V models\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLynx LT-TB Thunderbolt™ LSlot Interface for Lynx Hilo and Aurora Converters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLynx Studio Technology announces the LT-TB Thunderbolt LSlot interface for its Aurora and Hilo converters. The LT-TB is a two-port Thunderbolt expansion card that supports daisy-chaining Aurora and Hilo converters and any other certified Thunderbolt device on both Apple and Windows computers. The LT-TB and accompanying Aurora and Hilo models are the first Thunderbolt audio devices certified for Windows as well as Mac.\u003c\/p\u003e\n\u003cp\u003eThe LT-TB LSlot card can be installed into any existing Hilo or Aurora with an easy and free firmware update. In addition, Lynx is making Thunderbolt equipped Aurora and Hilo models available at the same time. These models are:\u003c\/p\u003e\n\u003cp\u003e• Hilo-TB in Black and Silver\u003c\/p\u003e\n\u003cp\u003e• Aurora 16-TB\u003c\/p\u003e\n\u003cp\u003e• Aurora 16-VTTB (variable trim model)\u003c\/p\u003e\n\u003cp\u003e• Aurora 8-TB\u003c\/p\u003e\n\u003cp\u003eThe LT-TB, in development for over a year, uses Intel’s Cactus Ridge second-generation Thunderbolt controller. This device allows for a more robust design electrically. Similar to other Lynx products, LT-TB incorporates an FPGA for audio mixing and control functions that can be easily updated in the field.\u003c\/p\u003e\n\u003cp\u003eMonths of in-house testing along with support from Apple and Intel assure that LT-TB works well with any other certified Thunderbolt product on the market.\u003c\/p\u003e\n\u003cp\u003eWhereas some earlier Thunderbolt equipped converters are limited to two units and 32 analog channels, the LT-TB can be used in a chain of up to 6 Aurora converters for up to 96 analog channels, plus 96 digital channels on one Thunderbolt port. So theoretically, the upcoming 6 port Mac Pro could deliver up to 1,152 channels.\u003c\/p\u003e\n\u003cp\u003eThe Thunderbolt protocol allows up to six devices and one display to be connected to the computer on a single Thunderbolt port. So in addition to Lynx converters, you can have external drives, displays, expansion chassis and so on. The LT-TB has two Thunderbolt ports, which allows this daisy chaining of devices.\u003c\/p\u003e\n\u003cp\u003eOne of the other nice features of the LT-TB and other Thunderbolt devices is the ability to plug, unplug and hot-plug them. So you can easily bring in an additional Aurora or Hilo or other Thunderbolt device without needing to reinstall drivers or reset anything. It’s all automatic.\u003c\/p\u003e\n\u003cp\u003eAccording to Intel, the developer of Thunderbolt, “Thunderbolt delivers unparalleled performance, flexibility and simplicity to personal computing.” said Jason Ziller, Intel’s director of Thunderbolt Marketing, “Products like the Lynx LT-TB LSlot interface help highlight what Thunderbolt makes possible.”\u003c\/p\u003e\n\u003cp\u003eThunderbolt technology is the fastest connection to your PC at 10Gbs – in each direction, and at the same time. This is twice the speed of USB 3.0. Thunderbolt provides flexibility and simplicity by connecting up to six data and display devices in a daisy-chain.\u003c\/p\u003e\n\u003cp\u003eThe Lynx LT-TB, Aurora-8 TB, Aurora 16-TB, Aurora 16-VTTB and Hilo-TB (Silver or Black) are now available.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":33836784900,"sku":"","price":2900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Aurora8Large_7c7c231c-ea50-465e-bcbe-704af03293ba.jpg?v=1620843794"},{"product_id":"grace-design-m900-compact-portable-headphone-amp-dac-preamp","title":"Grace Design m900  Compact, Portable Headphone Amp \/ DAC \/ Preamp","description":"\u003cp class=\"p1\"\u003eThe m900 is a portable, desktop friendly headphone amplifier \/ DAC \/ preamp combo designed to give audio professionals and enthusiasts musical and transparent audio playback from USB, S\/PDIF or TOSLINK sources. For small DAW studio setups, portable laptop editing or mixing rigs, or just pure playback enjoyment, the m900 provides the same analog and DAC quality as our large monitor controllers, but in a rugged, portable and surprisingly affordable unit.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m900 DAC uses the latest generation AKM 4490 chip, which features 32-bit processing and supports sample rates up to 384kHz PC or 256x DSD. The USB interface operates in asynchronous mode allowing the m900 to be the clock master which makes the system immune to USB bus jitter. S\/PDIF and Toslink inputs allow the m900 to enhance to any DAW interface with true reference quality D\/A conversion, headphone monitoring and stereo speaker control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn intelligent power supply design allows for two power operation modes - LOW and HIGH. LOW power mode is from USB connector #1, which provides bus power along with data, allowing the m900 to operate from a single connection to your computer. HIGH power power mode is available by connecting the included 2A USB DC power supply to the USB connector #2, which provides additional power harder to drive headphones.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTransimpedance amplifier topology coupled to a zero ohm output impedance driver provides headphone performance that is incredibly spacious and transparent with a tight, enveloping low end. Our latest generation crossfeed circuit rounds out the design by simulating an acoustic listening environment in the headphones. Familiar tracks become new again with surprise details, while audio production tasks like tracking, mixing and editing happen faster and easier.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter many years of honing our DAC and headphone amplifier designs, the m900 distills the best of what we've learned in a compact, rugged and simple unit. Whether in the studio, on your desk or on the road, the m900 will bring you closer to the music you love.\u003c\/p\u003e\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\u003ch2\u003eGrace Design M900 Features:\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cstrong\u003e2-ch headphone amplifier and top-shelf D\/A converter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePortable bus-powered unit is ideal for travel, desktop, or studio\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eJitter-free computer audio playback with support for up to 32-bit\/384kHz PCM and 256x DSD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDual zero-ohm output impedance headphone outputs deliver spacious and transparent performance\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo unbalanced analog outputs make connecting to your stereo monitor system easy\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCompatible with a wide variety of digital sources via USB, TOSlink, and S\/PDIF coax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 different DAC filter settings provide personalized playback\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSimple setup menu and easy-to-read 7-segment LED display\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLarge rotary encoder for easy volume control and menu navigation\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"Tabs1\" class=\"ui-tabs ui-widget ui-widget-content ui-corner-all\"\u003e\n\u003cul class=\"ui-tabs-anchor\" role=\"presentation\" href=\"http:\/\/www.gracedesign.com\/products\/m900\/m900.html#tabs-4\" id=\"ui-id-1\" tabindex=\"-1\"\u003e\u003c\/ul\u003e\n\u003cdiv id=\"tabs-4\" aria-labelledby=\"ui-id-1\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\" role=\"tabpanel\" aria-expanded=\"true\" aria-hidden=\"false\"\u003e\n\u003cli class=\"bullets\"\u003eUSB, S\/PDIF and Toslink digital inputs, supports up to 192kHz (Toslink up to 96kHz)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAsynchronous USB interface for jitter free computer audio playback, supports up to 384kHz PCM and 256x DSD\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDual zero ohm output impedance headphone outputs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eUnbalanced level controlled outputs via RCA for connecting to a stereo monitor system\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eCompact, portable chassis perfect for travel, desktop or studio\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLow power mode via USB Bus power\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eHigh power mode via included USB 2A power supply\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e4 different DAC filter settings to tailor playback performance to personal preference\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSimple user setup menu for setup and calibration\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e7 segment LED display displays level and setup menu information\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLarge rotary encoder for volume control and setup menu navigation\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMade in Lyons, CO USA\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e5 year transferable Warranty\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":40725123652,"sku":"","price":637.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/m900_front.jpg?v=1620843841"},{"product_id":"rme-arc-usb","title":"RME ARC USB","description":"\u003cdiv\u003e\n\u003ch2\u003eMeet the all new Symphony I\/O MKII\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eIntuitive touchscreen. Future-proof modularity. Flagship sound quality.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e16x16 Analogue I\/O via DB25 \u0026amp; 2x2 S\/PDIF I\/O\u003c\/h3\u003e\n\u003chr\u003e\n\u003cp\u003eSymphony I\/O MKII is a multi-channel audio interface featuring Apogee's newest flagship AD\/DA conversion, modular I\/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I\/O Mk II is the ultimate music production centerpiece for any modern studio.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBest AD\/DA conversion of any Thunderbolt audio interface\u003c\/li\u003e\n\u003cli\u003eUp to 32 channels of modular analog I\/O with optional 8 mic preamps\u003c\/li\u003e\n\u003cli\u003eBest per-channel value of any interface in its category\u003c\/li\u003e\n\u003cli\u003eThunderbolt connectivity\u003c\/li\u003e\n\u003cli\u003eUltra-low latency performance\u003c\/li\u003e\n\u003cli\u003eIntuitive touchscreen display and front panel control\u003c\/li\u003e\n\u003cli\u003eDesigned in California, Built in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eInput and Output Flexibility\u003c\/h3\u003e\n\u003cp\u003eThere is a Symphony I\/O MKII solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I\/O configurations, 2x6, 8x8, 16x16, or 8x8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A\/D \u0026amp; D\/A conversion per unit, Symphony I\/O Mk II offers the best per-channel value of any interface in its category.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eLegendary Sound Quality\u003c\/h3\u003e\n\u003cp\u003eApogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimised circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I\/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I\/O modules, Symphony I\/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThunderbolt Connectivity\u003c\/h3\u003e\n\u003cp\u003eFor connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit\/system and latency as low\u003cbr\u003eas 1.35 ms in Logic Pro X (96kHz \/ 32 buffer).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eINPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog IN: 16 balanced inputs on 2 DSUB 25-pin connectors\u003c\/li\u003e\n\u003cli\u003eCoax IN: S\/PDIF on 1 RCA connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog OUT: 16 balanced outputs on 2 DSUB 25-pin connectors\u003c\/li\u003e\n\u003cli\u003eCoax OUT: Supports SPDIF on 1 RCA connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch2\u003eRequirements\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThunderbolt-enabled Mac computer, including Mac Pro, MacBook Pro, Mac mini, iMac \u0026amp; MacBook Air\u003c\/li\u003e\n\u003cli\u003eOperating System: Mac OS 10.9.5 or greater\u003c\/li\u003e\n\u003cli\u003eThunderbolt cable (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":41934246340,"sku":"","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/main_RME_ARC_USB_-_Advanced_Remote_Control_49110.jpg?v=1496415362"},{"product_id":"analog-alien-epi-effects-pedal-interface","title":"Analog Alien EPI - Effects Pedal Interface","description":"\u003cp class=\"p1\"\u003eIntroducing the Analog Alien EPI (\u003cspan class=\"s1\"\u003eEffects Pedal Interface)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThese days, many artists\/musicians have a desire to use guitar pedals in ways that they were not designed or intended to be used – especially when it comes to recording. How great would it be if you could send your vocals, drums, keyboards, etc… through an effects pedal and come up with a sound that no one else has? Well, now you can do all that and much more with the Analog Alien EPI (Effects Pedal Interface).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI is a high-end routing pedal that enables you to take the signal from your effects pedal and record it directly into your DAW, or analog tape deck, professionally – without any loss of signal or fidelity. The EPI does this by automatically adjusting the impedance and voltage levels coming from your effects pedals, so that they will interface properly with professional recording studio levels. The EPI also has RCA -10 dBu input and output jacks,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003efor connection to non-professional signal operating levels.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI has two separate insertion points that are independent of each other – A\u0026amp;B. These insertion points enable you to set up two separate signal chains and switch between either of them, or have them both on at that same time. You can blend both signal paths independently from each other, and then combine them at the balanced XLR, buffered 1\/4″ or RCA -10 dBu outputs.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eYou can also plug the output of your stomp box directly into the input of the EPI and take advantage of its unique input circuit. Your distortion and overdrive pedals will take on a whole new sonic dimension when you record them using the EPI.\u003cspan class=\"Apple-converted-space\"\u003e   \u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe input of the EPI can also accept a direct signal from the output of your DAW or mixing console. You can send a pre-recorded track to any effects pedal and then re-record the signal back into your DAW. If you ever wondered what your vocal or snare drum tracks would sound like through a fuzz pedal, now you’ll know.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI can also be used as a, A-B box, with both A\u0026amp;B on at the same time, a Direct Box (DI), a Re-Amp Box, or you can split your guitar’s signal and send it out to 4 separate amps, with 4 separate effects, all at the same time!\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIn live stage situations, you can hook up two separate pedal boards to the A\/B insertion jacks and have each board on independently, or both on at the same time, while simultaneously sending your effected signal to the house PA and your guitar amp!\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Analog Alien EPI will enable you to use your effects pedals in ways you never even thought of. You’ll never look at your effect pedals in the same way again.\u003c\/p\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":16002002944074,"sku":"","price":290.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/EPI.png?v=1620843952"},{"product_id":"dangerous-music-2-bus-2-bus-summing-mixer-with-colour","title":"Dangerous Music 2 BUS + 2 Bus Summing Mixer with Colour","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch1 class=\"normal\"\u003e\u003cstrong\u003eDefinitive Analog Summing + Color\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eSurpassing The Original\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eDangerous Music invented the stand-alone analog summing mixer with the ground-breaking 2-BUS back in 1999, and now we’re redefining mixing yet again with the brand new 2-BUS+. With a redesigned analog summing circuit that exceeds previous specifications, the 2-BUS+ delivers unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three innovative custom color circuits that provide a vast array of flexibly routed tonal options. Harmonics is a euphoric odd- and even-order distortion generator; Paralimit is a hard-hitting FET-style limiter; and X-Former is a pair of Cinemag output transformers with an exclusive core-overdrive circuit. With it’s elegantly straightforward buttons and knobs, the 2-BUS+ puts endless combinations of robust analog sound at your fingertips. Meticulously developed by our hands-on team and brilliantly designed by the legendary Chris Muth, the 2-BUS+ embodies our dedication to sacrificing nothing in order to deliver the very best analog products available.\u003c\/p\u003e\n\u003ch2\u003eUnveil Your Sound With Active Analog Summing\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eAnalog summing is a vastly misunderstood topic, but it doesn’t need to be. First, when multiple converters share the workload of getting your sounds from digital into analog, you’ll hear improved articulation and clarity across your mix. Once in the analog realm, these individual channels are electronically summed together with what’s called an “active analog summing circuit.” Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS+ result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. The 2-BUS+ unveils all the details that bring your creations to life.\u003c\/p\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli class=\"1_tab\" style=\"background: none !important; border: 0; color: none;\"\u003e\u003ca style=\"color: #008cba !important; margin-bottom: 10px;\" href=\"https:\/\/dangerousmusic.com\/product\/2-bus-plus\/#tab-1\"\u003e[LINK: Learn more about summing vs. line mixers and active vs. passive analog summing here.]\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eEmulation Impossible\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. And despite promising ad campaigns, analog mix bus emulation plugins just add distortion to the master fader, actually making problems worse. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS+, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver.\u003c\/p\u003e\n\u003ch2\u003eThree Real Analog Tone Circuits\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eWhen it comes to adding analog color to your mixes, the design team at Dangerous has developed three totally original all-analog circuits: Harmonics, Paralimit and X-Former. Because these circuits are physically built into the 2-BUS+, you get a versatile selection of analog colors while never leaving the lush, open analog mixing environment.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHarmonics\u003c\/strong\u003e – Add the euphoric sound of an analog circuit on the edge of distortion to your whole mix, or to individual channel pairs. Carefully tuned to generate the perfect mixture of odd- and even-order harmonics, this effect runs parallel with the unprocessed signal so you can dial in just the right amount of tone. The top end subtly simmers, the bass gently growls, and the whole sonic image warms up in ways that only a real analog circuit can offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eParalimit\u003c\/strong\u003e – This is a FET Limiter set to stun. An original Chris Muth design inspired by the famous 1176 Limiting Amplifier “all buttons in” trick, you get an infinite ratio setting flooded with analog top-end. With its blend knob and assignment buttons, Paralimit gives you instant parallel compression, in stereo, in the analog domain, on the full mix or on a stereo stem – a flexible set-up that otherwise requires complex patching, careful level matching and significant amounts of analog outboard gear.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eX-former \u003c\/strong\u003e– Last in line are a pair of customized Cinemag transformers with Chris Muth’s totally unique approach to driving the core. Switch them in for the solid, punchy sound that makes older analog consoles so loved, then turn up the X-Former knob to drive the core of the transformer in a way that’s totally unique to the 2-BUS+. X-former is all about dialing in just the right amount of classic analog console color whenever it’s called for.\u003c\/p\u003e\n\u003ch2\u003eEffortless Analog Parallel Processing\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eBecause you can effortlessly assign Harmonics and Paralimit to the whole mix or to individual channel pairs, instantly flip their patching order, and blend them in with the original signal at the twist of a knob, the 2-BUS+ provides incredibly flexible parallel processing without any outboard gear or fussy patching. With the ability to switch in the on-board customized Cinemag transformers, as well as any outboard processors you like on the switchable stereo insert, you’ve got nearly limitless options all accessed from the uncluttered front panel. Whether you choose to run it pure and clean, blend in just a hint of delicious analog flavor, or push it into the red-zone, we’ve put the choice back in your hands when mixing.\u003c\/p\u003e\n\u003ch2\u003eMaking The Analog Investment\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades.  Analog technology is time-tested.  It wont need an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities and timeless analog tone processors of the 2-BUS+ will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"highlights\"\u003e\n\u003cli\u003e16 channels of the world’s best active analog summing, that even surpasses the original.\u003c\/li\u003e\n\u003cli\u003eThree distinctive analog color options: Harmonics, Paralimit and X-Former.\u003c\/li\u003e\n\u003cli\u003eEffortless routing and blending of analog color circuits via elegant user interface.\u003c\/li\u003e\n\u003cli\u003eSwitchable stereo analog insert for easy outboard gear integration.\u003c\/li\u003e\n\u003cli\u003eMassive sounds, sacrificing no detail.\u003c\/li\u003e\n\u003cli\u003eCrystal clear sonic imaging and three-dimensionality.\u003c\/li\u003e\n\u003cli\u003eEndless headroom for modern digital signal levels.\u003c\/li\u003e\n\u003cli\u003eStepped output gain control for exact recalls.\u003c\/li\u003e\n\u003cli\u003eBoth XLR and D-Sub input connectivity.\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade components throughout.\u003c\/li\u003e\n\u003cli\u003eHand-assembled in the USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--0 panel entry-content wc-tab\" id=\"tab-0\" role=\"tabpanel\" aria-labelledby=\"tab-title-0\" style=\"display: block;\"\u003e\n\u003cp\u003eNote: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers.\u003c\/p\u003e\n\u003cp\u003eMax Input Level \u0026gt; +28 dBu\u003c\/p\u003e\n\u003cp\u003eTHD+N @+4dBu: 1KHz, unweighted, 22Hz to 22kHz \u0026lt; 0.0048%\u003c\/p\u003e\n\u003cp\u003eTHD+N @+22dBu: 1KHz, unweighted, 22Hz to 22kHz \u0026lt; 0.0026%\u003c\/p\u003e\n\u003cp\u003eIMD @ +4dBu: \u0026lt; 0.0038%\u003c\/p\u003e\n\u003cp\u003eIMD @ +22dBu: \u0026lt; 0.0021%\u003c\/p\u003e\n\u003cp\u003eCrosstalk rejection: \u0026gt; 108dBu @ 1KHz\u003c\/p\u003e\n\u003cp\u003eNoise at Unity Gain: 22Hz to 22KHz: \u0026lt; -86dBu\u003cbr\u003e Noise at Nominal Mix Setting: 22Hz to 22KHz: \u0026lt; -91dBu\u003c\/p\u003e\n\u003cp\u003eFrequency Response: Flat within 0.1dB from 10Hz -50kHz\u003c\/p\u003e\n\u003cp\u003eInput Impedance: 25K Ohms Balanced\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 50 Ohms Balanced\u003c\/p\u003e\n\u003cp\u003eReplacement Fuses: AMERICAS: 90-120VAC 2 Amp Slo-Blo fuse. EUROPE: 200-260VAC 1 Amp Slo-Blo fuse\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":32221462200394,"sku":"44-0024","price":2820.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/2BUS__fnt.png?v=1620843669"},{"product_id":"rupert-neve-designs-mbc-master-buss-converter","title":"Rupert Neve Designs MBC Master Buss Converter","description":"\u003cstrong\u003eWhether you’re tracking, printing mixes, or mastering, the Master Buss Converter is a revelation in quality and functionality of A-D conversion technology\u003c\/strong\u003e. The analog drive circuitry allows the MBC’s converter to be fed by either a class-A transformerless path for maximum transparency, or by custom inter-stage audio transformers with variable Silk for a wide variety of tonal enhancements. Coupled with an astonishingly\u003cbr data-mce-fragment=\"1\"\u003emusical limiter, the MBC is always the best choice to capture your analog signals with breathtakingly three-dimensional accuracy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eA Long Time Coming\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith over seven decades of analog circuit design experience, Mr. Rupert Neve had never considered a converter worthy of his hallmark until the release of the RMP-D8 Dante-connected microphone preamplifier in 2018. While the RMP was primarily designed as a mic preamp, its adoption by engineers at the highest levels of recording, mastering, and touring as their preferred converter led to the development of the MBC, creating a new standard for PCM conversion quality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDual Path Analog Design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the last link in the analog chain before digitization, converter drive circuitry is critical in determining the imprinted digital sound quality. From the ground up, the MBC was designed for reference performance regardless of genre or desired sonic character, and the key to this lies in the quality and adaptability of the analog drive circuitry.\u003cbr data-mce-fragment=\"1\"\u003eFor a bolder, more powerful imprint, a custom-designed inter-stage transformer with Rupert’s acclaimed Silk circuitry can be inserted to recreate the classic tonality of his vintage designs. Uniquely, unlike our audio transformers intended for line-level output, this new transformer is designed to achieve output transformer harmonic content characteristics at a level appropriate for input to the converter itself. \u003cbr\u003eWith the addition of variable Silk, the engineer is able to precisely dial in the desired amount of harmonic content – with the Red mode highlighting harmonics in the mid and high frequencies, and the Blue mode accentuating harmonics in the low-end. \u003cbr\u003eFrom a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk \/ Texture circuit fully pushed, the selectable transformer\u003cbr data-mce-fragment=\"1\"\u003epath fills your tracks with enhanced dimensionality and power.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWhen maximum transparency and fidelity is desired\u003c\/strong\u003e, the transformerless path provides extraordinary detail and clarity. While many transformerless circuits suffer from thin tonal balance and a lack of punch, the MBC’s Class-A circuitry was painstakingly designed to deliver a beautiful sense of clarity, with vibrant detail at both high and low frequencies. As an additional tonal palette to capture your tracks, the\u003cbr data-mce-fragment=\"1\"\u003etransformerless path is an essential complement to the weighty, classic sound of the transformer path. No matter what sonic character you’re seeking, the MBC can provide it at the push of a button.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCompound Active Release Analog Limiter\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe challenge here was to design a limiter that could act as both a musical sculpting tool exceeding the quality of available plug-in limiters, while also being able to act as a transparent safety limiter for tracking or live performance \u0026amp; broadcast.\u003cbr data-mce-fragment=\"1\"\u003eTo achieve this, we refined our compound active release topology to enhance both the accuracy and musicality of the limiter response. The resulting limiter achieves both transparency and the capability of pushing the level of tracks or mixes without damage to the integrity of the source.\u003cbr data-mce-fragment=\"1\"\u003eTo further adapt the sound of the limiter, we’ve added a number of controls to fine-tune its response. The built-in Side Chain High-Pass Filter, sweepable from 20-250Hz, minimizes the limiter’s reaction to low frequencies, which tend to be more sustained in nature than high frequencies. The threshold control sets the maximum levels for your digital signal, and the variable release time constant alters the response characteristic to better fit different source material. To further push levels into the limiter, the class-A line amp stage is capable of adding 20dB of ultra-clean gain. The limiter may be used as a dual mono or stereo linked design via the Link switch, depending on the desired use.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastering-Grade Conversion\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe MBC’s 24-bit\/192kHz converters were developed after years of careful listening, and represent a further advancement of the design within the RMP-D8. The precision controlled internal clock’s minimal jitter and phase noise allow the converters to capture the complete performance of your music with a great degree of accuracy – simply put, the MBC creates an uncanny digital representation of your analog\u003cbr data-mce-fragment=\"1\"\u003esignals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMake Connections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo connect into your interface or digital console, the MBC is equipped with AES, S\/PDIF and TOSLINK\u003cbr data-mce-fragment=\"1\"\u003eoutputs capable of simultaneous output to multiple destinations. The word clock output allows the MBC to act as high-end master clock for your entire setup, and the word clock input allows external sync to a separate master clock if desired. Finally, to seamlessly integrate the MBC into a multichannel conversion environment, four standard levels from -14dBFS to -20dBFS can be selected to accurately match your\u003cbr data-mce-fragment=\"1\"\u003eother converters. These Reference Level calibration standards are implemented with a superb degree of accuracy via high-precision resistors and relay-controlled stepped attenuation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUltra-Precise Metering\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA pair of 22-segment meters provide extremely precise level metering of the input to the converter stage, utilizing a new design that represents the highest resolution LED metering in a Rupert Neve Designs product to date. For monitoring of the limiter’s gain reduction, there are 8-segment gain reduction meters designed to display transient reductions with a superb degree of accuracy. The level meters can be further customized with a 1-second or 3-second peak hold option.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSelectable Analog Drive Paths\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe very best of class-A transformerless and custom transformer-coupled designs at the touch of a button.\u003cbr data-mce-fragment=\"1\"\u003eTransformer Path with Silk \/ Texture. Add weight and punch with a dedicated custom inter-stage transformer before the converter. Silk \/ Texture allows you to dial in the harmonic content and drive saturation of this signal path.\u003cbr data-mce-fragment=\"1\"\u003eClass-A Transformerless Path Maximizes clarity and transparency of the input signal.\u003cbr data-mce-fragment=\"1\"\u003eActive Compound Release Analog Limiting\u003cbr data-mce-fragment=\"1\"\u003ePush your levels further with fewer artifacts than plug-ins, and introduce clip safety for tracking or broadcast.\u003cbr data-mce-fragment=\"1\"\u003e24-bit\/192kHz Reference Conversion\u003cbr data-mce-fragment=\"1\"\u003eUnparalleled analog capture with precision clocking using top-of-the-line chips.\u003cbr data-mce-fragment=\"1\"\u003eMulti-Standard Connectivity - Connect to any of your digital devices with AES, S\/PDIF and TOSLINK all simultaneously available.\u003cbr data-mce-fragment=\"1\"\u003ePrecision Clocking\u003cbr data-mce-fragment=\"1\"\u003eMaximum accuracy with minimal jitter and phase noise, able to operate as a master clock or sync from another master.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":32523749752906,"sku":"","price":3199.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/mbc-angle-black-2_v3.jpg?v=1620843641"},{"product_id":"apogee-symphony-i-o-mk-2-connect-8x8mp-thunderbolt","title":"Apogee Symphony I\/O Mk 2 Connect 8x8MP Thunderbolt - Special Offer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eApogee Symphony I\/O MkII Connect 8x8MP Thunderbolt\u003c\/strong\u003e epitomizes excellence in AD\/DA converter technology, specifically crafted to meet the rigorous requirements of users seeking top-tier audio interfaces. This premier device combines unparalleled sound quality with exceptional value, ensuring smooth compatibility with Mac and PC platforms. Its adept integration with various systems through the Thunderbolt port underscores its versatility and seamless connectivity.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStreamlined Studio Configuration: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Symphony I\/O MkII Thunderbolt unit provides a more efficient studio setup by offering access to 32 high-quality simultaneous analog I\/O channels, reducing the need for additional rack gear. Studios requiring more channels can easily integrate multiple units, with each Symphony I\/O MkII Thunderbolt connecting to a single Thunderbolt port. The user-friendly touchscreen on the front panel simplifies calibration, enhancing the user experience and operational convenience.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eMastering Audio Excellence with Thunderbolt:\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Apogee Symphony I\/O Mk II Thunderbolt excels in diverse environments, from home studios to commercial recording spaces and scoring stages. Particularly effective for Logic Pro X or any native-based Digital Audio Workstation (DAW), it offers up to 32×32 channels per unit while maintaining extremely low latency. Its dual module slots highlight The device's flexibility, enabling up to 32 inputs and outputs of A\/D \u0026amp; D\/A conversion per unit. This combination of high channel capacity, low latency, and adaptability makes it an ideal choice for audio professionals and enthusiasts.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSymphony MP Connect Series: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Symphony I\/O Mk II 8×8 MP Connect series represents a significant advancement in the audio interface market, delivering Symphony-quality sound at competitive prices. These interfaces feature high-performance AD\/DA converters and Apogee’s Advanced Step Gain Architecture™ mic preamps, accommodating more AD\/DA converters and mic preamps in a single module. The CONNECT-8x8MP module offers industry-leading sound quality with 8 mic pres, 8 analog I\/O, and AES\/ADAT I\/O. Suitable for various applications, including broadcast, live sound, education, post-production, houses of worship, and recording studios, offering unmatched cost-per-channel value.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElevate Your Audio Experience:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnhance your setup with the Apogee Symphony I\/O Mk II 8×8 MP Connect, representing the pinnacle of performance and versatility in the professional audio interface arena.\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":43991081386174,"sku":"","price":3688.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/apogee-symphony-mkii-kmr_800x_0b29fcf0-6c24-4dd9-ac0d-d93708b87ada.webp?v=1713889338"},{"product_id":"apogee-symphony-i-o-mk2-chassis-only-soundgrid","title":"Apogee Symphony I\/O Mk2 Chassis Only SoundGrid","description":"\u003cdiv class=\"Collapsible__Inner\" style=\"overflow: visible; height: auto;\" data-mce-fragment=\"1\" data-mce-style=\"overflow: visible; height: auto;\"\u003e\n\u003cdiv class=\"Collapsible__Content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"Rte\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff0000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff0000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Apogee Symphony I\/O MkII SoundGrid Chassis Only requires AD\/DA cards to function.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eApogee Symphony I\/O MkII SoundGrid\u003c\/strong\u003e is a modular AD\/DA and SoundGrid audio interface using Apogee’s latest AD\/DA conversion and intuitive touchscreen display.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Apogee Symphony I\/O MkII is designed to deliver high-quality and professional sound for audio recording, mixing and mastering applications and has been used to provide outstanding audio to engineers and producers worldwide.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis modular AD\/DA is highly configurable and comes with connectivity to three platforms, Thunderbolt, Pro Tools and Waves SoundGrid. Two new modules can also be used to provide improved analogue to digital and digital to analogue conversion.The new DA stage features a high current and low impedance circuit, which ensure no decrease in performance regardless of the load, preserving fidelity and punch. Using the latest ESS Sabre32 32-bit Hyperstream, DAC with Time Domain Jitter eliminator provides impressively low THD+N resulting in a dramatic dynamic range of up to 129dB. It also provides true audio fidelity and transparency.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA brand new front panel with touch screen provide access to essential I\/O functionality and monitoring levels as well as mic pre gain or a way to calibrate your Symphony I\/O mkII. The high resolution TFT display provides all the visual feedback critical for recording and monitoring of up to 64 channels of I\/O as well as signal levels, polarity, muting, phantom power and soft limit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the SoundGrid Connection you can connect your Symphony to your computer via a simple ethernet cable, shared across several rooms, multiple computers and powered by real-time DSP power via SoundGrid servers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApogee Symphony I\/O MkII SoundGrid Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBest AD\/DA conversion of any SoundGrid audio interface\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRequires Apogee Symphony I\/O cards\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBest per-channel value of any interface in its category\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWaves SoundGrid connectivity for network connectivity\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUltra-low latency performance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntuitive touchscreen display and front panel control\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDesigned in California, Built in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":43991138009278,"sku":"","price":2329.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/apogee-symphony-mkii-kmr_800x_bb57de2c-340b-4ac8-92cc-2f47c9bc84da.webp?v=1713890826"},{"product_id":"apogee-symphony-i-o-mk2-32x32se-soundgrid","title":"Apogee Symphony I\/O Mk2 32x32SE Soundgrid","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e32x32 analogue-to-digital and digital-to-analogue converter for professional audio processing.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntegrated with Waves SoundGrid technology for advanced digital signal processing.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSimple network connectivity via ethernet, allowing shared access in multi-room setups.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompatible with all major digital audio workstations (DAWs) for flexible workflows.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnables easy audio routing between different DAWs and computers, enhancing collaborative production.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncorporates a Waves SoundGrid server for near-zero latency in recording and mixing.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuitable for live performances when used with the Waves eMotion LV1 digital software mixer.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eProvides intuitive control of mic preamp gain and phantom power in live sound settings.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIdeal for diverse environments like houses of worship, educational institutions, and multi-purpose venues.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePortable and adaptable, meeting various studio and live audio needs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eApogee Symphony I\/O MkII 32x32SE SoundGrid\u003c\/strong\u003e is at the forefront of audio engineering, offering a 32x32 analogue-to-digital and digital-to-analogue converter system designed for the most demanding audio professionals. Renowned for its unparalleled sound quality, this system seamlessly integrates with Waves SoundGrid technology, providing a robust real-time digital signal processing (DSP) platform.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eEffortless Network Integration and Collaboration\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a simple ethernet connection, the Symphony I\/O MkII 32x32SE SoundGrid easily connects to your computer network, enabling shared access across multiple rooms and computers. This enhances its functionality with the nearly limitless DSP power of Waves SoundGrid servers. Its compatibility with all digital audio workstations (DAWs) unlocks endless possibilities for studio, live, and post-production workflows.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eImagine working on a music project in Logic Pro X in one room, while a colleague uses Ableton Live in another. The Symphony I\/O MkII 32x32SE facilitates easy audio routing between various DAWs and computers, centralizing around this versatile converter system. Such connectivity fosters an environment conducive to collaboration, which is essential in modern music production.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eReal-Time Recording and Mixing Empowerment\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntegrating a Waves SoundGrid server, the Symphony I\/O MkII 32x32SE transforms your workstation into a powerful recording and mixing platform. This setup enables the use of plugins with near-zero latency during recording sessions. The SoundGrid server offloads plugin processing from your computer, ensuring smooth performance even under demanding tasks. Furthermore, this capability extends beyond the studio, as the plugins also run natively on any computer, offering flexibility and portability in creative endeavors.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eBridging Studio Quality to Live Performances\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePairing the Symphony I\/O MkII 32x32SE with the Waves eMotion LV1 digital software mixer offers a unique solution for bringing studio-grade sound to live performances. This combination merges Apogee's renowned AD\/DA conversion quality with the power of Waves’ plugins, commonly used in recording studios, into a compact, portable system ideal for touring bands and live venues.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Waves eMotion LV1 mixer is tailored for the demanding live sound environment. It allows intuitive control over the Symphony I\/O MkII's features, such as mic preamp gain and phantom power, directly from the mixer interface. This equips sound engineers with the tools needed for dynamic and high-quality live sound management.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eComprehensive Audio Solutions for Diverse Settings\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Symphony I\/O MkII 32x32SE SoundGrid provides an integrated audio solution for institutions like houses of worship, educational facilities, or multi-purpose venues. It combines front-of-house mixing, multitrack recording, and multi-room audio distribution in a single system. It is an ideal choice for establishments seeking high-quality audio experiences for various applications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":43991187587262,"sku":"","price":7612.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/apogee-symphony-mkii-kmr_800x_1d3757bb-5abf-4329-beff-f0761a205a5d.webp?v=1713891290"},{"product_id":"heritage-audio-i73-pro-edge","title":"Heritage Audio i73 Pro Edge","description":"\u003cp\u003e12-In \/ 16-Out USB-C interface with two built-in pure Class A transformer coupled 73 style preamps. The i73® PRO EDGE is finally a reality, making the Full Analog Experience of the Golden Era of recording available to everyone, everywhere and anywhere.\u003c\/p\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7105f28d\" data-id=\"7105f28d\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6e842d8a elementor-widget elementor-widget-text-editor\" data-id=\"6e842d8a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe i73® PRO EDGE aims to provide musicians, producers and audio engineers with an easy path to that cherished analog experience that has inspired music creation since the early 70’s.  The i73® PRO Edge incorporates the same Class A transformer-balanced circuitry as Heritage Audio’s classic 73 style preamps, providing the end user with the ability to track with all that classic mojo and vibe but, for the first time, straight from the i73® PRO Edge to a computer.  \u003c\/p\u003e\n\u003cdiv\u003e As with all of Heritage Audio’s 73 style preamps, there are three options for input, so whether the end user wants to run vocals through the MIC preamp with up to 70dBs of gain, an electric guitar\/bass through the fast, dynamic JFET DI or the clean LINE inputs, the  i73® PRO Edge allows the user to route whatever the signal may be on to a DAW with true studio quality. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli class=\"li2\"\u003einput for Hi-Z instruments.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e2× Extra line inputs.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eDirect monitoring with Heritage Audio’s MIXER, processed in real-time with unnoticeable latency.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e2 x Analog stereo monitor outputs over TRS independently controlled by Heritage Audio’s MIXER (1 mix per stereo out).\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e2 x Independent stereo headphone outputs with dedicated cue.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eRecording, mixing and playback at up to 32-bit\/192kHz.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e+48V PHANTOM power, PAD and PHASE.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eMONO, MUTE and DIM.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eClassic attractive European console design.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eCompatible with MacOS and Windows 10 and 11. Same hardware works for both PC and Mac.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eFull Analog Experience powered by DSP for real-time tracking processing with undetectable latency.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eIncluding a growing collection of Heritage Audio effects modeled after Heritage Audio’s own outboard and Heritage Audio’s private gear collection.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eAble to record both WET and DRY streams from the MIXER to your DAW at the same time.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eClass-leading AD\/DA conversion .\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eUSB-C connection to computer (cable included).\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eDigitally expandable over ADAT (up to 8 channels).\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eMini-DIN MIDI IN\/OUT connector. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44077751828670,"sku":"","price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/i73-PRO-EDGE_1.png?v=1715161780"},{"product_id":"grace-design-m108-dante-option-card-field-upgrade","title":"Grace Design M108 Dante Option Card (Field Upgrade)","description":"\u003cp\u003e8 channels of Dante, optional card for M108\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44266267115710,"sku":"","price":695.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/m108-dante-option.jpg?v=1717442552"},{"product_id":"grace-design-m108-control-room-card","title":"Grace Design M108 Control Room Card","description":"\u003cdiv class=\"tab-content is-active\" id=\"tab-description\"\u003e\n\u003ch2\u003eThe Grace Design m108 CR Output Card is a stereo control room output option for the Grace Design m108 which provides an additional set of 1\/4-inch TRS balanced outputs suitable for playing back via a stereo monitor system.\u003c\/h2\u003e\n\u003cp\u003eThe Grace Design m108 CR Output Card plugs in to the \u003ca href=\"https:\/\/www.frontendaudio.com\/grace-design-m108-preamp\/\" target=\"_blank\"\u003em108\u003c\/a\u003e expansion slot, located on the rear panel of the \u003ca href=\"https:\/\/www.frontendaudio.com\/grace-design-m108-preamp\/\" target=\"_blank\"\u003eGrace Design m108\u003c\/a\u003e. The Grace Design m108 CR Output Card option provides a stereo pair of 1\/4-inch, balanced analog outputs that are designed to connect to your monitors. Output levels are controlled via the m108's front panel level control. This is a super cool, inexpensive way for you to monitor the m108's audio paths on speakers: whether in your control room, a remote location or while on the road. Combined with the \u003ca href=\"https:\/\/www.frontendaudio.com\/grace-design-m108-preamp\/\" target=\"_blank\"\u003em108\u003c\/a\u003e's powerful, internal mixing capabilities, this new option provides a completely self contained system for recording and playback. And as you might imagine, the audio quality is superb!\u003c\/p\u003e\n\u003ch3\u003eGrace Design m108 CR Output Card Features\u003c\/h3\u003e\n\u003cul class=\"blst\"\u003e\n\u003cli\u003eOutputs are controlled by the front panel VOL\/MUTE output level control\u003c\/li\u003e\n\u003cli\u003eAn inexpensive way to monitor the \u003ca href=\"https:\/\/www.frontendaudio.com\/grace-design-m108-preamp\/\" target=\"_blank\"\u003em108\u003c\/a\u003e's audio paths on speakers\u003c\/li\u003e\n\u003cli\u003ePerfect for playing back via a stereo monitor system\u003c\/li\u003e\n\u003cli\u003eProvides superb audio quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGrace Design m108 CR Output Card Specifications\u003c\/h3\u003e\n\u003cul class=\"blst\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e CR Output Card\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e \u003ca href=\"https:\/\/www.frontendaudio.com\/grace-design-m108-preamp\/\" target=\"_blank\"\u003em108 Preamp\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x 1\/4\" TRS L\/R\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Channels:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGrace Design m108 CR Output Card Includes\u003c\/h3\u003e\n\u003cul class=\"blst\"\u003e\n\u003cli\u003eGrace Design m108 CR Output Card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44266282614974,"sku":"","price":176.94,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/m108-cr-output.webp?v=1717439735"},{"product_id":"grace-design-m108-digilank-card","title":"Grace Design M108 Digilink Card (Field Upgrde)","description":"\u003cdiv class=\"col-12 pt-3\"\u003e\n\u003ch4 class=\"d-inline\"\u003eDigilink option card for m108 allowing connection to Avid PTHD systems\u003c\/h4\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"d-inline section_text\"\u003eThe optional A108DL Digilink module allows the m108 to connect to Avid Pro Tools|HD Accel, Pro Tools| HDX, and Pro Tools|HD Native interfaces. The A108DL module emulates the Avid HD I\/O interface and features two Mini-Digilink connectors. One is labeled \"PRIMARY PORT\" and one is labeled \"EXPANSION\" port. The concept of these ports is similar to those on an Avid HD interface. However, since the m108 is an 8 channel input and 2 channel output device, these ports allow two m108s to be connected together to emulate one Avid HD I\/O with a standard confguration of 1 ADC card, 1 DAC card, and one Digital IO card.\u003cbr\u003e\u003cbr\u003eThe Digilink option module requires m108 frmware version 1.07 or higher.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":44266298212542,"sku":"","price":320.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/m108_digilink.jpg?v=1717442552"},{"product_id":"rme-ufx-3-188-channel-24-bit-192khz-high-end-usb-3-audio-interface","title":"RME UFX 3  188-Channel, 24-Bit\/192kHz high-end USB 3 Audio Interface","description":"\u003cdiv class=\"product-description\"\u003e\n\u003ch1 style=\"font-size: 38px;\"\u003e\n\u003cstrong\u003eThe Multichannel \u003c\/strong\u003eFlagship Interface\u003c\/h1\u003e\n\u003cp\u003eThe Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I\/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application.\u003c\/p\u003e\n\u003cp\u003ePacked with professional features, including SteadyClock FS, MADI I\/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I\/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX III is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters with improved THD+N value, the digital board also enables interesting new features thanks to updated high-tech components.\u003c\/p\u003e\n\u003ch1 style=\"font-size: 38px;\"\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e for Mixing, Monitoring and Measurement included\u003c\/h1\u003e\n\u003cp\u003eThe Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44453884657854,"sku":"","price":1908.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/Fireface-UFX-III-C.png?v=1722151236"},{"product_id":"apogee-symphony-studio-2x12","title":"Apogee Symphony Studio 2x12","description":"\u003ch2\u003e\u003cb id=\"docs-internal-guid-8b98c819-7fff-6bb1-2f39-e25fa7f544b2\"\u003e\u003cspan\u003eApogee Symphony Studio 2x12 USB-C Audio Interface for Immersive Audio with DSP\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eA New Centerpiece for Your Studio, Powered by Apogee's Legendary AD\/DA Conversion \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003cstrong\u003eApogee Symphony Studio 2x12\u003c\/strong\u003e is a powerful audio interface designed for creators seeking to elevate their productions with immersive audio and flexible outboard integration. With its transparent-to-source preamps, advanced monitor control, and support for up to 7.1.4 immersive audio mixing, the Symphony Studio 2x12 offers a versatile solution for vocal producers, mixing and mastering engineers, and those looking to delve into immersive audio mixing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eCrystal-Clear Audio: The Symphony Studio Series' High-Resolution AD\/DA Conversion\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Symphony Studio Series boasts exceptional audio converter quality, ensuring that every detail of your recordings is captured with precision and clarity. Apogee's renowned AD\/DA conversion technology delivers a transparent, natural sound that faithfully reproduces the nuances of your instruments and vocals. With the Symphony Studio Series, you can rest assured that your recordings will sound professional and inspiring.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eCreate the Perfect Listening Environment with The Symphony Studio Series' Powerful Output DSP\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Symphony Studio Series features a powerful output DSP that provides a suite of tools to fine-tune your monitoring environment. Room EQ helps to correct acoustic anomalies in your listening space, ensuring a more balanced and accurate sound. Bass Management allows you to optimize your subwoofer integration for a seamless and immersive listening experience. Speaker Delay compensates for variations in distance between your speakers and your listening position, resulting in a more cohesive soundstage. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSculpt your recordings with Symphony Studio’s Channel Strip Plugin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCraft your recordings with the Symphony Studio Series' custom channel strip plugin, which provides a suite of essential tools for shaping your tracks. EQ, compression, and saturation controls allow you to sculpt your sound with precision and add character to your recordings. Whether you're looking to add warmth, punch, or clarity, the channel strip plugin gives you the flexibility to achieve your desired sonic goals.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eImprove your workflow with Symphony Studio’s Monitor Workflows\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Symphony Studio Series offers a variety of monitor workflows to suit your needs. Easily switch between different monitoring setups, such as multiple stereo pairs, surround, and immersive audio formats. Customize your monitoring environment with precision speaker calibration and Room EQ, ensuring that you hear your mixes accurately and objectively. With the Symphony Studio Series, you can confidently monitor your recordings in a variety of listening environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eSample rate: up to 192kHz\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eBit depth: up to 24-bit\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eMic preamp gain: 75dB\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eLine output +4dBu \/ -10 dBV switchable\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eIncluded Software: Apogee Control 2, Symphony Studio Channel Strip\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eMonitor calibration and control: Multiple Stereo, 5.1.2, 7.1, 7.1.4, 9.1.6\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eOutput DSP: EQ, Delay, Bass management \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eInput DSP: Channel Strip\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eUSB class compliant\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan\u003eOptional hardware remote: Apogee Control Remote\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003eThick extruded aluminum faceplate\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eMac and Windows Compatible\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":51727802171774,"sku":"","price":1600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/2x12_front.webp?v=1729010662"},{"product_id":"apogee-symphony-studio-8x8","title":"Apogee Symphony Studio 8x8","description":"\u003cdiv class=\"product-description rte\" data-product-description=\"\"\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eApogee Symphony Studio 8x16 USB-C Audio Interface for Immersive Audio with DSP\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Perfect Audio Interface for Home Studio Producers \u0026amp; Musicians\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eElevate your home studio productions with the \u003cstrong\u003eApogee Symphony Studio 8x8\u003c\/strong\u003e, a versatile audio interface designed to meet the needs of modern musicians and producers. Featuring transparent-to-source preamps, advanced monitor control, and support for multiple stereo speaker setups, the Symphony Studio 8x8 delivers the tools you need to capture stunning recordings and mix with precision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrystal-Clear Audio: The Symphony Studio Series' High-Resolution AD\/DA Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series boasts exceptional audio converter quality, ensuring that every detail of your recordings is captured with precision and clarity. Apogee's renowned AD\/DA conversion technology delivers a transparent, natural sound that faithfully reproduces the nuances of your instruments and vocals. With the Symphony Studio Series, you can rest assured that your recordings will sound professional and inspiring.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate the Perfect Listening Environment with The Symphony Studio Series' Powerful Output DSP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series features a powerful output DSP that provides a suite of tools to fine-tune your monitoring environment. Room EQ helps to correct acoustic anomalies in your listening space, ensuring a more balanced and accurate sound. Bass Management allows you to optimize your subwoofer integration for a seamless and immersive listening experience. Speaker Delay compensates for variations in distance between your speakers and your listening position, resulting in a more cohesive soundstage.\u0026amp;nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSculpt your recordings with Symphony Studio’s Channel Strip Plugin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCraft your recordings with the Symphony Studio Series' custom channel strip plugin, which provides a suite of essential tools for shaping your tracks. EQ, compression, and saturation controls allow you to sculpt your sound with precision and add character to your recordings. Whether you're looking to add warmth, punch, or clarity, the channel strip plugin gives you the flexibility to achieve your desired sonic goals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImprove your workflow with Symphony Studio’s Monitor Workflows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series offers a variety of monitor workflows to suit your needs. 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With the Symphony Studio Series, you can confidently monitor your recordings in a variety of listening environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSample rate: up to 192kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBit depth: up to 24-bit\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMic preamp gain: 75dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLine output +4dBu \/ -10 dBV switchable\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncluded Software: Apogee Control 2, Symphony Studio Channel Strip\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMonitor calibration and control: Multiple Stereo, 5.1.2, 7.1, 7.1.4, 9.1.6\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput DSP: EQ, Delay, Bass management\u0026amp;nbsp;\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput DSP: Channel Strip\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB class compliant\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional hardware remote: Apogee Control Remote\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThick extruded aluminum faceplate\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMac and Windows Compatible\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":51727872229758,"sku":"","price":2245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/8x8_front.webp?v=1729013925"},{"product_id":"apogee-symphony-studio-8x16","title":"Apogee Symphony Studio 8x16","description":"\u003ch2\u003e\u003cb id=\"docs-internal-guid-1fa7274e-7fff-cddf-e27e-7d3a8db0c5d4\"\u003e\u003cspan\u003eApogee Symphony Studio 8x16 USB-C Audio Interface for Immersive Audio with DSP\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnleash the Power of Immersive Audio with the Symphony Studio 8x16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor professional audio engineers and studios seeking class-leading audio performance, the \u003cstrong\u003eApogee Symphony Studio 8x16\u003c\/strong\u003e is the answer. This high-performance audio interface features Apogee’s renowned sound quality, transparent-to-source preamps with 75dB of gain, and advanced monitor control. With support for up to 9.1.6 immersive audio mixes in Dolby Atmos, Auro-3D, Sony 360, and more, the Symphony Studio 8x16 empowers you to create groundbreaking recordings and mixes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrystal-Clear Audio: The Symphony Studio Series' High-Resolution AD\/DA Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series boasts exceptional audio converter quality, ensuring that every detail of your recordings is captured with precision and clarity. Apogee's renowned AD\/DA conversion technology delivers a transparent, natural sound that faithfully reproduces the nuances of your instruments and vocals. With the Symphony Studio Series, you can rest assured that your recordings will sound professional and inspiring.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate the Perfect Listening Environment with The Symphony Studio Series' Powerful Output DSP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series features a powerful output DSP that provides a suite of tools to fine-tune your monitoring environment. Room EQ helps to correct acoustic anomalies in your listening space, ensuring a more balanced and accurate sound. Bass Management allows you to optimize your subwoofer integration for a seamless and immersive listening experience. Speaker Delay compensates for variations in distance between your speakers and your listening position, resulting in a more cohesive soundstage.\u0026amp;nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSculpt your recordings with Symphony Studio’s Channel Strip Plugin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCraft your recordings with the Symphony Studio Series' custom channel strip plugin, which provides a suite of essential tools for shaping your tracks. EQ, compression, and saturation controls allow you to sculpt your sound with precision and add character to your recordings. Whether you're looking to add warmth, punch, or clarity, the channel strip plugin gives you the flexibility to achieve your desired sonic goals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImprove your workflow with Symphony Studio’s Monitor Workflows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Symphony Studio Series offers a variety of monitor workflows to suit your needs. Easily switch between different monitoring setups, such as multiple stereo pairs, surround, and immersive audio formats. Customize your monitoring environment with precision speaker calibration and Room EQ, ensuring that you hear your mixes accurately and objectively. 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Designed around the breakthrough and patented Prism Sound \u003c\/span\u003e\u003cstrong\u003eCleverclox\u003c\/strong\u003e\u003cspan\u003e clocking technology and featuring \u003c\/span\u003e\u003cstrong\u003eeight\u003c\/strong\u003e\u003cspan\u003e of the incredibly popular \u003c\/span\u003e\u003cstrong\u003ePrism Sound\u003c\/strong\u003e\u003cspan\u003e microphone preamplifiers, the new Prism Sound \u003c\/span\u003e\u003cstrong\u003eAtlas USB multitracking interface\u003c\/strong\u003e\u003cspan\u003e is the professional choice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike all Prism Sound products, \u003c\/span\u003e\u003cstrong\u003eAtlas\u003c\/strong\u003e\u003cspan\u003e leads the way in terms of digital and analogue audio quality providing truly uncompromised and world-beating audio interface performance which can only be achieved from over 25 years of leading audio expertise.\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAtlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S\/PDIF or AES3 I\/O. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003ca name=\"signal_path\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eSignal path\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced witOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003cbr\u003e\u003cbr\u003eAtlas's eight analogue inputs support various capabilities. Atlas has four high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003cbr\u003e\u003cbr\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O. \u003cbr\u003e\u003cbr\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003cbr\u003e\u003cbr\u003eDigital Mixer\u003cbr\u003eOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Atlas has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. \u003cbr\u003e\u003cbr\u003eThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Atlas provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. \u003cbr\u003e\u003cbr\u003eThere is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic. \u003cbr\u003e\u003cbr\u003eAlthough the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering. \u003cbr\u003e\u003cbr\u003eAtlas\u003cbr\u003eFlexible Monitoring\u003cbr\u003eProfessional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups. \u003cbr\u003e\u003cbr\u003eAs well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Atlas allow monitor setups from multi-stereo up to 7.1 surround. Atlas has a real volume knob with mute function which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. \u003cbr\u003e\u003cbr\u003eSample Rate Conversion and Noise Shaping\u003cbr\u003eThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Atlas can also generate, say, a live 44.1kHz output from a 96kHz session. Since Atlas also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality. \u003cbr\u003e\u003cbr\u003eUnsurpassed Jitter Rejection\u003cbr\u003eIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Atlas is as rock-steady as its forbears. \u003cbr\u003e\u003cbr\u003eSupport\u003cbr\u003eOver the years, Prism Sound's reputation for audio quality has been matched by its reputation for after-sales support and technical advice. Atlas has the benefit of that support and customers have access to one of the best technical teams in the business. \u003cbr\u003e\u003cbr\u003eThe Last Word\u003cbr\u003eWe believe that Atlas delivers exactly what our personal studio customers have asked for - all the performance of a Prism Sound product in a dedicated USB unit that handles line, microphone and instrument inputs with good foldback and monitoring capabilities, yet at a more accessible price tag. We are confident that customers using the new Atlas converter will agree that it sounds as good as it looks. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eh automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"mdio\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eMultichannel Digital Input and Output (MDIO) expansion\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAs well as the built-in inputs and outputs Atlas can accommodate other optional digital interfaces such as Pro Tools | HDX and AES3 multichannel options through its MDIO expansion slot. This flexibility makes Atlas perfectly suitable for the home, native or project studio as well as larger multitracking facilities by seamless, reliable integration with the industry standard platforms. The MDIO expansion means Atlas is future-proof allowing further digital interface options to be developed and available such as Thunderbolt (to be confirmed). \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"quality\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eNo-compromise, full Prism Sound audio quality\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAtlas makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Atlas is well-behaved both as a computer peripheral and an audio processor. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Atlas noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"interface\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eStandards compliant USB interface\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003ePrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Atlas uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ch2\u003eAtlas in Brief\u003c\/h2\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul class=\"featurelist\"\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#quality\"\u003eNo-compromise, full Prism Sound audio quality\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#interface\"\u003eDedicated USB interface\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#mdio\"\u003eMultichannel Digital I\/O (MDIO) expansion port\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#asio\"\u003eASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#asio\"\u003eDirectly compatible with CORE AUDIO on Mac OS X 10.4+\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eEight \"Prism Sound\" premium-quality AD and DA channels\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eConcurrent operation of ADAT and switchable S\/PDIF or AES3 ports\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eEight high-end integrated mic preamps (typ.-130dBu EIN)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMic pres have individually switchable phantom power and 20dB pads\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMS Matrix processing on mic inputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eTwo instrument inputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eRIAA Equalization on inputs 1 \u0026amp; 2\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003ePrism Sound \"Overkillers\" on every analogue channel to control transient overloads\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eFully-floating (isolated) balanced architecture for optimum noise rejection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eMono or stereo input configurations\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#connections\"\u003eOutputs selectable between workstation bus or Atlas mixer\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#digital_mixer\"\u003eLow-latency \"console-quality\" digital mixer for foldback monitoring\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#digital_mixer\"\u003eFader, pan, cut, solo on every mixer channel\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eDual headphone outputs each with its own front-panel volume control\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eFront-panel master volume control and mute, assignable to selected channels\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#surround\"\u003eConfigurable for stereo, 5.1 or 7.1 or surround monitoring\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#src\"\u003eBuilt-in sample rate conversion (SRC) on S\/PDIF Inputs and Outputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#src\"\u003ePrism Sound 4-curve SNS noise shaping on digital outputs\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca class=\"featurelist\" title=\"read more..\" href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/atlas\/atlas_home.php#jitter_rejection\"\u003eState-of-the-art clock generation with proprietary hybrid 2-stage DPLL\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas's eight analogue inputs support various capabilities. Atlas has four high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings. \u003c\/span\u003e\u003cbr\u003e\u003ca name=\"digital_mixer\"\u003e\u003c\/a\u003e\u003c\/p\u003e\nX","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":55013693391230,"sku":null,"price":2895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/Atlas_Black.jpg?v=1620843525"},{"product_id":"analog-alien-epi-effects-pedal-interface-used-excellent-condition","title":"Analog Alien EPI - Effects Pedal Interface -used excellent condition","description":"\u003cp class=\"p1\"\u003eIntroducing the Analog Alien EPI (\u003cspan class=\"s1\"\u003eEffects Pedal Interface)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThese days, many artists\/musicians have a desire to use guitar pedals in ways that they were not designed or intended to be used – especially when it comes to recording. How great would it be if you could send your vocals, drums, keyboards, etc… through an effects pedal and come up with a sound that no one else has? Well, now you can do all that and much more with the Analog Alien EPI (Effects Pedal Interface).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI is a high-end routing pedal that enables you to take the signal from your effects pedal and record it directly into your DAW, or analog tape deck, professionally – without any loss of signal or fidelity. The EPI does this by automatically adjusting the impedance and voltage levels coming from your effects pedals, so that they will interface properly with professional recording studio levels. The EPI also has RCA -10 dBu input and output jacks,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003efor connection to non-professional signal operating levels.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI has two separate insertion points that are independent of each other – A\u0026amp;B. These insertion points enable you to set up two separate signal chains and switch between either of them, or have them both on at that same time. You can blend both signal paths independently from each other, and then combine them at the balanced XLR, buffered 1\/4″ or RCA -10 dBu outputs.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eYou can also plug the output of your stomp box directly into the input of the EPI and take advantage of its unique input circuit. Your distortion and overdrive pedals will take on a whole new sonic dimension when you record them using the EPI.\u003cspan class=\"Apple-converted-space\"\u003e   \u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe input of the EPI can also accept a direct signal from the output of your DAW or mixing console. You can send a pre-recorded track to any effects pedal and then re-record the signal back into your DAW. If you ever wondered what your vocal or snare drum tracks would sound like through a fuzz pedal, now you’ll know.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe EPI can also be used as a, A-B box, with both A\u0026amp;B on at the same time, a Direct Box (DI), a Re-Amp Box, or you can split your guitar’s signal and send it out to 4 separate amps, with 4 separate effects, all at the same time!\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIn live stage situations, you can hook up two separate pedal boards to the A\/B insertion jacks and have each board on independently, or both on at the same time, while simultaneously sending your effected signal to the house PA and your guitar amp!\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Analog Alien EPI will enable you to use your effects pedals in ways you never even thought of. You’ll never look at your effect pedals in the same way again.\u003c\/p\u003e","brand":"Analog Alien","offers":[{"title":"Default Title","offer_id":55731823509886,"sku":null,"price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/EPI.png?v=1620843952"},{"product_id":"grace-design-m900-compact-portable-headphone-amp-dac-preamp-special-1","title":"Grace Design m900  Compact, Portable Headphone Amp \/ DAC \/ Preamp - SPECIAL","description":"\u003cp class=\"p1\"\u003eThe m900 is a portable, desktop friendly headphone amplifier \/ DAC \/ preamp combo designed to give audio professionals and enthusiasts musical and transparent audio playback from USB, S\/PDIF or TOSLINK sources. For small DAW studio setups, portable laptop editing or mixing rigs, or just pure playback enjoyment, the m900 provides the same analog and DAC quality as our large monitor controllers, but in a rugged, portable and surprisingly affordable unit.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m900 DAC uses the latest generation AKM 4490 chip, which features 32-bit processing and supports sample rates up to 384kHz PC or 256x DSD. The USB interface operates in asynchronous mode allowing the m900 to be the clock master which makes the system immune to USB bus jitter. S\/PDIF and Toslink inputs allow the m900 to enhance to any DAW interface with true reference quality D\/A conversion, headphone monitoring and stereo speaker control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn intelligent power supply design allows for two power operation modes - LOW and HIGH. LOW power mode is from USB connector #1, which provides bus power along with data, allowing the m900 to operate from a single connection to your computer. HIGH power power mode is available by connecting the included 2A USB DC power supply to the USB connector #2, which provides additional power harder to drive headphones.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTransimpedance amplifier topology coupled to a zero ohm output impedance driver provides headphone performance that is incredibly spacious and transparent with a tight, enveloping low end. Our latest generation crossfeed circuit rounds out the design by simulating an acoustic listening environment in the headphones. Familiar tracks become new again with surprise details, while audio production tasks like tracking, mixing and editing happen faster and easier.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter many years of honing our DAC and headphone amplifier designs, the m900 distills the best of what we've learned in a compact, rugged and simple unit. Whether in the studio, on your desk or on the road, the m900 will bring you closer to the music you love.\u003c\/p\u003e\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\u003ch2\u003eGrace Design M900 Features:\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cstrong\u003e2-ch headphone amplifier and top-shelf D\/A converter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePortable bus-powered unit is ideal for travel, desktop, or studio\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eJitter-free computer audio playback with support for up to 32-bit\/384kHz PCM and 256x DSD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDual zero-ohm output impedance headphone outputs deliver spacious and transparent performance\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo unbalanced analog outputs make connecting to your stereo monitor system easy\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCompatible with a wide variety of digital sources via USB, TOSlink, and S\/PDIF coax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 different DAC filter settings provide personalized playback\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSimple setup menu and easy-to-read 7-segment LED display\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLarge rotary encoder for easy volume control and menu navigation\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"Tabs1\" class=\"ui-tabs ui-widget ui-widget-content ui-corner-all\"\u003e\n\u003cul class=\"ui-tabs-anchor\" role=\"presentation\" href=\"http:\/\/www.gracedesign.com\/products\/m900\/m900.html#tabs-4\" id=\"ui-id-1\" tabindex=\"-1\"\u003e\u003c\/ul\u003e\n\u003cdiv id=\"tabs-4\" aria-labelledby=\"ui-id-1\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\" role=\"tabpanel\" aria-expanded=\"true\" aria-hidden=\"false\"\u003e\n\u003cli class=\"bullets\"\u003eUSB, S\/PDIF and Toslink digital inputs, supports up to 192kHz (Toslink up to 96kHz)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAsynchronous USB interface for jitter free computer audio playback, supports up to 384kHz PCM and 256x DSD\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDual zero ohm output impedance headphone outputs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eUnbalanced level controlled outputs via RCA for connecting to a stereo monitor system\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eCompact, portable chassis perfect for travel, desktop or studio\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLow power mode via USB Bus power\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eHigh power mode via included USB 2A power supply\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e4 different DAC filter settings to tailor playback performance to personal preference\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSimple user setup menu for setup and calibration\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e7 segment LED display displays level and setup menu information\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLarge rotary encoder for volume control and setup menu navigation\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMade in Lyons, CO USA\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e5 year transferable Warranty\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":56620884328830,"sku":null,"price":573.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/products\/m900_front.jpg?v=1620843841"},{"product_id":"grace-design-m701-base-unit-with-8-ch-adc-8-ch-dac-and-usb","title":"Grace Design m701 base unit with 8 ch ADC, 8 ch DAC and USB","description":"\u003ch1 class=\"h2 product-single__title\"\u003eGrace Design M701 Modular Audio Interface Base Unit \u0026amp; 8ch ADC 8ch DAC \u0026amp; USB\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr class=\"hr--medium\"\u003e\u003cform enctype=\"multipart\/form-data\" class=\"product-single__form\" id=\"AddToCartForm-15626218406270\" action=\"\/cart\/add\" method=\"post\"\u003e\n\u003cdiv class=\"product__quantity product__quantity--button\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"payment-buttons\"\u003e\n\u003cdiv class=\"shopify-payment-button\" data-shopify=\"payment-button\"\u003e\n\u003cdiv class=\"wallet-button-fade-in wallet-button-wrapper\"\u003e\n\u003cslot name=\"button\"\u003e\u003cshop-pay-wallet-button access-token=\"ab608c8e7338c31c21cffe269f2ba9f6\" buyer-country=\"GB\" buyer-currency=\"GBP\" wallet-params='{\"shopId\":1797585,\"merchantName\":\"ASAP EUROPE LONDON, UK 020 8672 6618\",\"personalized\":true}' page-type=\"product\" slot=\"button\" requires-shipping=\"\" call-to-action=\"\" personalized=\"true\"\u003e\u003cgravity-button class=\"accelerated-checkout-button\"\u003e\n\n\n\n  \u003cslot id=\"button-content\"\u003e\n  \n  \n\u003c\/slot\u003e\n\n\u003c\/gravity-button\u003e\u003c\/shop-pay-wallet-button\u003e\u003c\/slot\u003e\u003cslot name=\"promise\"\u003e\u003c\/slot\u003e\u003cslot name=\"more-options\"\u003e\u003cmore-payment-options-link buyer-country=\"GB\" access-token=\"ab608c8e7338c31c21cffe269f2ba9f6\" recommended-instrument=\"ShopPay\" slot=\"more-options\"\u003e\u003ca class=\"shopify-payment-button__more-options\" id=\"more-payment-options-link\" href=\"https:\/\/www.asapeurope.com\/collections\/grace-design\/products\/grace-design-m701-modular-audio-interface-base-unit-8-aes-i-o-s-pdif-wordclock-copy#\"\u003eMore payment options\u003c\/a\u003e\u003c\/more-payment-options-link\u003e\u003c\/slot\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003cdiv class=\"product-collapes\"\u003e\n\u003cdiv style=\"height: auto;\" itemprop=\"description\" class=\"product-single__description product-description rte\"\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable height=\"5\" style=\"border-collapse: collapse; width: 11px; height: 10px;\" width=\"350\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ccolgroup\u003e \u003ccol style=\"width: 10px;\" width=\"350\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 21.6px;\" height=\"22\"\u003e\n\u003ctd style=\"height: 21.6px; width: 262pt;\" width=\"350\" class=\"xl63\" height=\"22\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Grace Design m701 is a modular, high channel count audio interface designed for professional and commercial recording facilities. As our first foray into a complete interface design, the goal was to provide our very highest quality AD\/DA conversion integrated into a powerful, configurable platform. The m701’s modular design allows a wide array of configurations based on your needs. From simple in the box systems to large hybrid studios, the m701 is ready.\u003c\/p\u003e\n\u003ch3\u003eModern Conversion\u003c\/h3\u003e\n\u003cp\u003eWe have been building AD\/DA conversion into our mic preamp and monitoring products since the early 2000’s. During this time, digital audio converter chips have achieved a very mature state. Today it is hard to find a \u003cem\u003ebad \u003c\/em\u003econverter chip. But building a complete audio product around any converter still requires careful and expert audio design skills, which we have been honing for decades. Analog input and output circuitry, power supply, and clock design matter more than ever, and are what differentiates a great sounding I\/O device from the rest. The m701 furthers our legacy of open and musical sounding audio hardware with a remarkably powerful studio I\/O tool.\u003c\/p\u003e\n\u003ch3\u003eMassive I\/O Capability\u003c\/h3\u003e\n\u003cp\u003eIndividual 8 channel ADC and DAC modules can be installed in any combination into the 8 available card slots, allowing for a wide array of I\/O combinations based on the customer’s need. \u003cbr\u003eDigital I\/O options include: two 32 channel module slots for Digilink, Dante, USB2, Ravenna\/ AES67\/ ST2110 and other future formats. \u003cbr\u003eA third option module slot is provided for expanding m701 digital I\/O capabilities, such as an additional 24 channel AES3 I\/O module, Word Clock distribution module, or future studio monitoring functionality. Included baseboard digital I\/O connections are 8ch AES, 8ch ADAT and 2ch S\/PDIF. \u003cbr\u003eAlso, optional Grace Design high-quality 4ch microphone pre-amplifier modules can be mounted in any of the 8 card slots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs standard this unit includes 8 chan. AES I\/O, 2 chan. S\/PDIF and WC I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"border-collapse: collapse; width: 11px; height: 74px;\" width=\"364\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ccolgroup\u003e \u003ccol style=\"width: 10px;\" width=\"364\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 71.2px;\" height=\"18\"\u003e\n\u003ctd style=\"height: 71.2px; width: 273pt;\" width=\"364\" height=\"18\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":56831632834942,"sku":null,"price":4695.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/files\/m701_preliminary-7-e1737319034181.jpg?v=1768845126"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0179\/7585\/collections\/Hilo-start.jpg?v=1376992999","url":"https:\/\/www.asapeurope.com\/collections\/audio-interfaces.oembed?page=2","provider":"ASAP EUROPE LONDON, UK 020 8672 6618","version":"1.0","type":"link"}